1 result for (book:tps2 AND session:605 AND stemmed:chang)

TPS2 Session 605 January 17, 1972 4/55 (7%) pyramids chanting sound gong bleed
– The Personal Sessions: Book 2 of The Deleted Seth Material
– © 2016 Laurel Davies-Butts
– Session 605 January 17, 1972 9:24 PM Monday

[... 11 paragraphs ...]

They share certain coordinates. Knowing those coordinates would of course be very important, but the other realities would still remain nonrealities to you unless you changed your primary focus. When you do that there is no need to know what the coordinates are. The inner self is quite aware of all of this. It picks and chooses the information and data that is important to you, and makes it available according to your desires.

[... 2 paragraphs ...]

(9:47.) This applies to your own historical time as well as to others. At other layers of course your civilization is already in the past, as in others your civilization does not yet exist. The bleed-throughs however mean that each people according to their characteristic, interests and activities, attract certain ideas both from the future and the past, and there is constant interaction. Because of this even the past as you think of it, as I told you, is never done and completed, but constantly changed by your present and future.

(Long pause from 9:49—9:50.) Nabene then is changed by your present actions, even as you are by his seemingly past ones. Your friend Sue said that there is free action across the board in such cases, and that is an apt description.

[... 10 paragraphs ...]

(“I feel that a whole mass of people would visualize a pyramid in their imagination,” Jane said, “then through their chanting, the use of certain vowels and pitches, they actually changed the air where that building was going to be. They made a boundary in the air,” she said, making angular gestures, “a cohesiveness, for this imaginary structure. Then they had certain kinds of tuning forks, then some kind of instrument. The noise of the chant was like something that you’d use to turn on this instrument—when the chant got to a certain pitch it turned on this instrument; and it somehow intensified and focused sound to what we would call an incredible degree —broke it down and then focused it in certain directions.”

[... 27 paragraphs ...]

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