“Seth material” search engine (Jane Roberts)

Now. There are bleedthroughs however in space and time as you think of them. Remember, all times are simultaneous.

Some of the most sophisticated art is from the past. Bleed-throughs result in its being picked up in your present. Theoretically all of the information of so-called lost civilizations is quite available to you, as yours is to them. A closed mind will perceive none of this.

In terms of experience humanity is working out its problems and challenges end in 20th century terms and in the old Sumerian (spelled) civilization. You simply choose various kinds of organizational structures and different root assumptions—all however within the general root assumptions used for physical existence.

They share certain coordinates. Knowing those coordinates would of course be very important, but the other realities would still remain nonrealities to you unless you changed your primary focus. When you do that there is no need to know what the coordinates are. The inner self is quite aware of all of this. It picks and chooses the information and data that is important to you, and makes it available according to your desires.

(9:42.) If you are greatly interested for example in history, then the inner self brings you the information you need from all of it sources. Under certain conditions you may be propelled through the coordinates and find yourself in the era in which you are interested.

(Jane said, “It’s as though they’re frozen—this isn’t a good word—at a certain stage until these patterns are given.” [Pause.] “All objects have their own sound patterns that help form their structure as much as the atoms and molecules do....”

(At 10:43: “I’m just waiting to see what happens next. This isn’t terribly strong, but I have the feeling of a barrier over there,”and again Jane gestured to her left, “that I can’t get over. But all this stuff comes from over there. Something about these instruments making atoms and molecules denser, somehow—doing different things with them....”

(11:04. Jane said that while I had been getting my effects, she had been somewhat separated from Seth after all. She saw groups of men “like pictures you’d see of Egyptians. I saw their dark skin—in color—against short robes. They were in groups chanting.”

(She saw a structure like a pyramid shape. She had the feeling that “heavier sounds were at the bottom. These formed the base of the pyramid.” She tried several times to explain this to me. It was all important, she said, that the heavier sounds were at the base of the structures. Like the musical scale, she felt that the sounds used in building the pyramids “made steps in the air that you couldn’t see. Certain sounds went up—certain sounds bound things together—they all had purposes....”)