“Seth material” search engine (Jane Roberts)

(Then: “I did get a line just now,” she said. “Something about how they prepared the air first, for the construction of the pyramid. Now I’m getting the feeling of an awful lot of people, chanting—thousands of them—this still has to do with the pyramids.”

(“I feel that a whole mass of people would visualize a pyramid in their imagination,” Jane said, “then through their chanting, the use of certain vowels and pitches, they actually changed the air where that building was going to be. They made a boundary in the air,” she said, making angular gestures, “a cohesiveness, for this imaginary structure. Then they had certain kinds of tuning forks, then some kind of instrument. The noise of the chant was like something that you’d use to turn on this instrument—when the chant got to a certain pitch it turned on this instrument; and it somehow intensified and focused sound to what we would call an incredible degree —broke it down and then focused it in certain directions.”

(“You could move very heavy objects with it. The objects were levitated —raised up in the air, no matter how heavy. They only needed to be guided by people to some degree. Many men were used to guide them but not to lift or carry them. The sound instrument had a fantastic cohesive effect that bound atoms and molecules together.”

(She saw a structure like a pyramid shape. She had the feeling that “heavier sounds were at the bottom. These formed the base of the pyramid.” She tried several times to explain this to me. It was all important, she said, that the heavier sounds were at the base of the structures. Like the musical scale, she felt that the sounds used in building the pyramids “made steps in the air that you couldn’t see. Certain sounds went up—certain sounds bound things together—they all had purposes....”)