was

1 result for (book:tps2 AND session:604 AND stemmed:was)

TPS2 Session 604 January 12, 1972 26/85 (31%) Sumarians Sumerian carving Baalbek instrument
– The Personal Sessions: Book 2 of The Deleted Seth Material
– © 2016 Laurel Davies-Butts
– Session 604 January 12, 1972 9:19 PM Wednesday

[... 1 paragraph ...]

(Notes on an abortive projection attempt: I lay down for a nap after supper on Friday evening, January 14. I used the bedroom in apartment four. We had been working long hours on our own, and I had been putting in overtime at Artistic, so I was quite tired. I dozed for a few moments upon lying down, then came awake to find myself with the unmistakable feeling of floating halfway to the ceiling of the bedroom.

(The sensation was quite definite, and quite strange. For I still felt my body against the bed—I lay face up, covered by a blanket—as though my body was pasted to the bed. In other words, I floated in the air, bed and all, quite pleasantly. There was no fear or panic. Instead I hoped to continue the experience into something greater.

[... 2 paragraphs ...]

(Peculiarly, I had no feeling of being detached from my physical body—that is, I didn’t feel I was bodiless, hovering above it: I had taken the bed up with me, you see. I felt the bed and I were several feet above the floor. I wanted to try turning over astrally, and I wanted to try reaching up toward the ceiling astrally, to see if I could touch it. I didn’t move at all, though, because of the noise from the kitchen. I managed to hold the state while considering the kitchen interference, but was concerned lest any attempt at movement on my part would break the spell entirely.

[... 1 paragraph ...]

(Jane and I hadn’t believed there was any connection between Jane’s Sumarian development, and Sumer, since the Sumari, as explained in recent sessions, had never been physical in our terms. Tonight’s session went into this, to our surprise.

(Shortly after supper this evening, Tom Milligan, a former student of Jane’s, brought us a copy of Saga Magazine for December, 1971. It contained an article by our friend Otto Binder, entitled “UFO’s Own Earth and All Mankind” This article touched upon many ideas we are interested in, and quoted astrophysicist Fred Hoyle, among others, re the ownership of the race idea. We spent some time discussing it. We had no opinion particularly, beyond remembering that according to Seth the whole question of the race of man and its origins, and doubts concerning theories of evolution, was vastly more complicated than was generally believed. Seth’s ideas of time give us quite a different approach to these ideas also.

(In The New York Times tonight I read an article, with pictures, of the Mars probe currently underway by our Mariner spacecraft. Dr. Carl Sagan of Cornell University was quoted in the article. Dr Sagan was also quoted in Otto’s article, regarding the ancient Sumerian-Akkadian legends and UFO’s, to our surprise. The question that has always bothered me is brought up—why does our history only go back five or six thousand years ago, when Homo Sapiens appeared some 50,000 years ago as an established species?

(In addition, I have always doubted the block-and-tackle idea used in constructing such massive, enormous wonders as Baalbek. With this goes my questions concerning the ability of sculptors to do the marvelously intricate carving adorning all of these buildings, on such an enormous scale. I have always wondered just how it was possible, with the few tools then available, according to our history, to do this work. It seems beyond the tools’ scope. I would delight in seeing it duplicated today, using identical stone, tools, etc., with time trials.

(Thus, all of these points came together tonight and resulted in the session. In the beginning Jane’s pace was rather slow, her eyes closed often. The session was held in her study in apartment four.)

[... 8 paragraphs ...]

(Jane’s pace, as Seth, was now quite a bit faster.) Some such visitors in your terms were more evolved than others. All however would appear as superhuman in contrast to those civilizations that encountered them. There were some deliberate experiments, that were in fact far more dangerous to the experimenters, always in which the experimenters tried in one way or another to advance man’ s knowledge.

(9:29.) It is not nearly as simple as that, however. There is not a one-line development. By the time that feasible intersystem space travel is practical, the psychic abilities are developed to a very high degree. One is necessary for the other. Therefore it became much more feasible to approach earthmen during their dream state, when their natural fear reactions were somewhat minimized, and where the danger to the visitors was far less.

(It was so hot in the room that I asked Seth to wait while I turned the heat off. I also opened a kitchen window. Jane sat waiting quietly in trance.)

[... 2 paragraphs ...]

(9:36.) The whole moral code idea was originally tailored for the current scene as it was encountered, told in terms that the natives could understand.

The pyramids, the huge boulders etched out (I think Seth refers here to Baalbek; I didn’t interrupt to ask), all of this was done in one way or another through the use of, a knowledge of, both coordination points in space (described by Seth in his own book) and the use of sound. (Also described to some degree.) There were instruments that released sound, and directed it in the same way, say, that a laser beam does with light.

[... 1 paragraph ...]

(The Sumerians were a pre-Semitic race inhabiting the lower Euphrates valley; their empire dated from about the 4th millennium BC. They were probably the Biblical Shinar. Their country was called Sumer, etc.)

[... 5 paragraphs ...]

(9:50.) When it seems that great discoveries come, and then are lost through the ages, perhaps to be rediscovered, it simply means that man’s own in nature was not in harmony with them, could not use them properly. Whenever aggressiveness became too misguided it automatically caused the loss of powers or discoveries that could be used to destroy the planet.

[... 6 paragraphs ...]

(I told Jane at break that I needed a capsule definition of Sumari, and she said that last night in ESP class Seth had commented, that the Sumari was a “federation of consciousness.” We get the duplicated transcript of each ESP class the following week, so we do not have the record for last night’s ESP class session, for January 11, yet.

(During break I referred again to the photos of the massive ruins of Baalbek, in one of the books Shirley Bickford lent us. I explained to Jane my feeling that the amazingly intricate stone carving, particularly the bas-relief work, seemed beyond the abilities of the hammer and chisel. Jane broke in to tell me that this carving was done by small instruments that used inaudible sound waves; these radiations softened the stone, she said, so that the work could be performed. She didn’t know where this data came from. If from Seth, it wasn’t obvious to her.

[... 6 paragraphs ...]

Consciousness is not local, and it never was.

[... 19 paragraphs ...]

(10:58. Jane’s trance had again been very good. Now she talked more about what she had said at last break, concerning the carving done on stone that had been softened by instruments employing sound. Only a very sophisticated instrument was used, she said, to soften the top layer of the stone so that it was “like frosting, which could then be easily carved. The instrument might have done both the softening and the carving.”

(“But first of all,” she added as we continued to talk, “either that instrument or another one was used to isolate the top layer of the stone from the rest of it so that it wasn’t weakened. We had been discussing the very intricate and extensive bas-relief carving pictured on the doorframes and lintels of the ruins at Baalbek in this instance —not say the in-the-round carving shown on columns, etc.

(ACK-A-SOND-A. This is my phonetic interpretation of a word Jane got re the instrument in question, whether from Seth or not she didn’t know, as at last break. The sound wasn’t audible to human ears. The instrument “sort of looked like —I can’t really do it—the shape I’m getting is of a very rough pistol shape.... All you had to do was aim it. That was just for the small stuff.”

[... 1 paragraph ...]

Now. Matter was manipulated through sound. Some remnants of spaceships became temples. Some visitors were seen to die, and later seen again recovered; hence the Egyptians’ sureness that the individual survived death.

[... 3 paragraphs ...]

In some respects the overenthusiastic use of the sound was responsible for the flood mentioned in the Bible, and other literature. It was for this reason that many attempts were made to warn against the impending disaster. The use of sound was important at various times in irrigating dry areas, quite literally by pulling water from a distance.

(11:22.) There were several characteristics that proved difficult, however. Literally, the sound traveled further often than was intended, causing consequences not planned upon. Great finesse was important. Sound was also used after irrigation to speed up the flowering of plants, and to facilitate transplantation to other areas. It was also utilized for medicinal purposes in operations, particularly in bone and brain operations.

Verbal sounds were often stereotyped simply because the effect of sound was understood in its effects upon the body. Any ideas that are considered superstitious had a quite legitimate basis, therefore. Sound was used to locate one also, and to break someone down. It was also used to locate gas pockets.

[... 3 paragraphs ...]

(11:32. Both of us were quite tired. There was much more data available, we knew, but we were too weary to get it.)

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