me

1 result for (book:tps2 AND session:604 AND stemmed:me)

TPS2 Session 604 January 12, 1972 8/85 (9%) Sumarians Sumerian carving Baalbek instrument
– The Personal Sessions: Book 2 of The Deleted Seth Material
– © 2016 Laurel Davies-Butts
– Session 604 January 12, 1972 9:19 PM Wednesday

[... 3 paragraphs ...]

(Shortly after I became aware, Jane began to do the dishes. The geography of our kitchen in apartment four is such that noise can evidently seep through a closet wall in the bedroom and so is quite easily heard. Jane made noise handling the dishes, I heard the water run, etc. In addition she turned on her radio. Even though she kept it on low volume, I heard it. I told myself these things would not distract me. I lay without moving a muscle, trying to encourage further developments without straining. The floating-free sensation continued, but I wasn’t able to develop it further.

(I nearly always use suggestions re projection when I lay down. I believe my tiredness tonight helped the state. Now I sent Jane messages that she would leave me undistracted, but nothing developed. The feeling lasted for well over a minute, I would estimate; finally it began to diminish or fade out, and I fell asleep again. Upon writing this, I now recall that immediately upon lying down I drifted into a rather complete, if brief, dreaming state—but I cannot recall the dream. But I went from the dream into the projection. RFB.

(Peculiarly, I had no feeling of being detached from my physical body—that is, I didn’t feel I was bodiless, hovering above it: I had taken the bed up with me, you see. I felt the bed and I were several feet above the floor. I wanted to try turning over astrally, and I wanted to try reaching up toward the ceiling astrally, to see if I could touch it. I didn’t move at all, though, because of the noise from the kitchen. I managed to hold the state while considering the kitchen interference, but was concerned lest any attempt at movement on my part would break the spell entirely.

(The session this evening, Wednesday, developed rather spontaneously out of several factors that combined almost effortlessly. The recent Sumari developments involving both of us played a part. So did my studying out photos of Baalbek, the first-century AD Roman ruins in Lebanon. The enormity of the stones in these buildings left me amazed; I didn’t see how blocks weighing 1200 tons could be moved without machinery, let alone fitted into place over twenty feet up on foundations, etc. The pictures were truly awe-inspiring. I came across them in one of the books on ancient history that Shirley Bickford, one of Jane’s students, brought for us to consult on the very ancient civilization, Sumeria, in Mesopotamia, from 4,000—2,000 BC, I believe, without consulting dates.

[... 2 paragraphs ...]

(In The New York Times tonight I read an article, with pictures, of the Mars probe currently underway by our Mariner spacecraft. Dr. Carl Sagan of Cornell University was quoted in the article. Dr Sagan was also quoted in Otto’s article, regarding the ancient Sumerian-Akkadian legends and UFO’s, to our surprise. The question that has always bothered me is brought up—why does our history only go back five or six thousand years ago, when Homo Sapiens appeared some 50,000 years ago as an established species?

[... 7 paragraphs ...]

Evolution, as it is thought of, had many different aspects in those terms. There were three or four beginning points. Do you follow me?

[... 24 paragraphs ...]

(During break I referred again to the photos of the massive ruins of Baalbek, in one of the books Shirley Bickford lent us. I explained to Jane my feeling that the amazingly intricate stone carving, particularly the bas-relief work, seemed beyond the abilities of the hammer and chisel. Jane broke in to tell me that this carving was done by small instruments that used inaudible sound waves; these radiations softened the stone, she said, so that the work could be performed. She didn’t know where this data came from. If from Seth, it wasn’t obvious to her.

[... 1 paragraph ...]

Now—are you ready for me?

[... 39 paragraphs ...]

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