“Seth material” search engine (Jane Roberts)

(Shortly after supper this evening, Tom Milligan, a former student of Jane’s, brought us a copy of Saga Magazine for December, 1971. It contained an article by our friend Otto Binder, entitled “UFO’s Own Earth and All Mankind” This article touched upon many ideas we are interested in, and quoted astrophysicist Fred Hoyle, among others, re the ownership of the race idea. We spent some time discussing it. We had no opinion particularly, beyond remembering that according to Seth the whole question of the race of man and its origins, and doubts concerning theories of evolution, was vastly more complicated than was generally believed. Seth’s ideas of time give us quite a different approach to these ideas also.

(“Good evening, Seth.”)

(By coincidence—?—Seth’s book has just come back to us from Prentice-Hall for us to go over the copy editor’s suggestions before it is set in galleys, which we will see in April. But we haven’t had time to reread the manuscript.)

(Jane’s pace, as Seth, was now quite a bit faster.) Some such visitors in your terms were more evolved than others. All however would appear as superhuman in contrast to those civilizations that encountered them. There were some deliberate experiments, that were in fact far more dangerous to the experimenters, always in which the experimenters tried in one way or another to advance man’ s knowledge.

(It was so hot in the room that I asked Seth to wait while I turned the heat off. I also opened a kitchen window. Jane sat waiting quietly in trance.)

The pyramids, the huge boulders etched out (I think Seth refers here to Baalbek; I didn’t interrupt to ask), all of this was done in one way or another through the use of, a knowledge of, both coordination points in space (described by Seth in his own book) and the use of sound. (Also described to some degree.) There were instruments that released sound, and directed it in the same way, say, that a laser beam does with light.

(10:01. Jane’s pace had been good, her trance good also. I had trouble in some instances deciding in the copy which spelling to use—Sumerian or Sumarian; in some instances my quick decisions were in error, I came to believe as I typed up this copy, so as can be seen I made changes. Jane read them over, and agrees that this copy is now as Seth meant it to be.

(I told Jane at break that I needed a capsule definition of Sumari, and she said that last night in ESP class Seth had commented, that the Sumari was a “federation of consciousness.” We get the duplicated transcript of each ESP class the following week, so we do not have the record for last night’s ESP class session, for January 11, yet.

(During break I referred again to the photos of the massive ruins of Baalbek, in one of the books Shirley Bickford lent us. I explained to Jane my feeling that the amazingly intricate stone carving, particularly the bas-relief work, seemed beyond the abilities of the hammer and chisel. Jane broke in to tell me that this carving was done by small instruments that used inaudible sound waves; these radiations softened the stone, she said, so that the work could be performed. She didn’t know where this data came from. If from Seth, it wasn’t obvious to her.

(ACK-A-SOND-A. This is my phonetic interpretation of a word Jane got re the instrument in question, whether from Seth or not she didn’t know, as at last break. The sound wasn’t audible to human ears. The instrument “sort of looked like —I can’t really do it—the shape I’m getting is of a very rough pistol shape.... All you had to do was aim it. That was just for the small stuff.”

(“Thank you very much, Seth. It’s been extremely interesting. Good night.”