“Seth material” search engine (Jane Roberts)

You were also close friends. You came from a different country, where the weathering effect upon statues was different. (Denmark? I hated to interrupt with a lot of questions. I thought we could fill in details in later sessions.) This is a long subject however. There was difficulty with varnishes, sometimes drying before the color upon which they were applied. Also varnishes that did not dry evenly, but with accumulations of oils resulting. On frescos this was disastrous enough.

(Perhaps I carried out some of my experiments with painting the outdoor sculpture in Denmark, where winter weather must be considered, after visiting Italy. While I discussed the Florence, Italy, data with Jane after the session, Seth returned very briefly re Rembrandt:That is why he went to Florence—to see the sculpture there. Perhaps after my return to Denmark from Italy I did some experimenting re painting sculptures, and then passed this information on to Rembrandt?