1 result for (book:tps2 AND session:603 AND stemmed:sculptur)

▼ TPS2 Session 603 January 10, 1972 3/88 (3%) Rembrandt varnish compromises pigment Italy
– The Personal Sessions: Book 2 of The Deleted Seth Material
– © 2016 Laurel Davies-Butts
– Session 603 January 10, 1972 9:10 PM Monday

[... 51 paragraphs ...]

There are several things you do not understand. I have not explained them. (Pause.) It could be Pinet (spelled). Also add a date: 1660. Now. There are a series of steps of stone, leading to a large building. Inside sculptors are working. Leo (my phonetic interpretation) is not there. There is a man vastly interested in the idea of coloring sculptures—the statues.

[... 23 paragraphs ...]

Rembrandt took the discovery with him, though you initially developed it for sculpture that stood outside. I am not at all sure here. Write down the word caronide (spelled). It is connected.

[... 8 paragraphs ...]

(Perhaps I carried out some of my experiments with painting the outdoor sculpture in Denmark, where winter weather must be considered, after visiting Italy. While I discussed the Florence, Italy, data with Jane after the session, Seth returned very briefly re Rembrandt:That is why he went to Florence—to see the sculpture there. Perhaps after my return to Denmark from Italy I did some experimenting re painting sculptures, and then passed this information on to Rembrandt?

[... 2 paragraphs ...]

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