1 result for (book:tps2 AND session:603 AND stemmed:re)
3/88 (3%)
Rembrandt
varnish
compromises
pigment
Italy
[... 65 paragraphs ...]
(All of this is very acute artistic information, and embodies the use of good technique even today. Again, I don’t believe Jane knows these things consciously. The varnish data is very good, also the fresco material. Many frescos were ruined in those days through poor techniques. Quality control was not what it is today re paints, varnishes, etc.)
[... 1 paragraph ...]
(I know little about efforts to paint sculpts, but the above sounds very possible, re the mold.)
[... 16 paragraphs ...]
(Perhaps I carried out some of my experiments with painting the outdoor sculpture in Denmark, where winter weather must be considered, after visiting Italy. While I discussed the Florence, Italy, data with Jane after the session, Seth returned very briefly re Rembrandt:That is why he went to Florence—to see the sculpture there. Perhaps after my return to Denmark from Italy I did some experimenting re painting sculptures, and then passed this information on to Rembrandt?
[... 2 paragraphs ...]
