1 result for (book:tps2 AND session:603 AND stemmed:medium)

TPS2 Session 603 January 10, 1972 2/88 (2%) Rembrandt varnish compromises pigment Italy
– The Personal Sessions: Book 2 of The Deleted Seth Material
– © 2016 Laurel Davies-Butts
– Session 603 January 10, 1972 9:10 PM Monday

[... 60 paragraphs ...]

(Rembrandt’s technique has been the subject of much speculation over the centuries. Especially when he took to piling pigment up to a thickness of a quarter of an inch in such paintings as “The Jewish Bride”—a masterwork. It is thought he used stand oil—heat-treated linseed oil—and varnish of various kinds as a medium. If he added anything else to his pigments it would be well worth learning about.)

[... 13 paragraphs ...]

(In those days, tubes for paints did not exist—all color had to be prepared fresh each day by the artist or assistants, from dry pigment. Varnish was often used as an ingredient in mediums. There are and were, many kinds of varnish. A slight lead content in a varnish sounds quite possible.)

[... 12 paragraphs ...]

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