1 result for (book:tps2 AND session:603 AND stemmed:me)
8/88 (9%)
Rembrandt
varnish
compromises
pigment
Italy
[... 8 paragraphs ...]
(I don’t. This hasn’t really been a point with me, although at times I would get mad at Artistic for at least not offering me something more. At the same time I told myself the low pay prevented me from ever deciding to make a career of it there, and let it go at that.)
[... 13 paragraphs ...]
Yesterday he allowed some of these feelings to arise only because he was so miserable. (While we were in Sayre; Jane was doing the washing; mother was cooking dinner, etc.) He remembered you and the pendulum, and having none there instead allowed submerged feelings up. You should know what they were. (Jane told me about some of them at the time; which I thought an advancement.) He was scandalized and outraged. Sundays were the days he could not escape his mother. There was no school, no excuses to get out. It was a day of encounters with her—her two-hour bath, the preparation of meals, and the wild hope that he could escape after supper for a few hours.
[... 3 paragraphs ...]
Allowed their mobility, feelings are beneficial. They replace each other, they ebb and flow. (Louder, humorously, reaching forward to tap me on the foot:) Now do you want any more personal material?
[... 3 paragraphs ...]
(9:45. True, Jane didn’t express those feelings to me in those terms, but she let me know she was quite upset, etc. Resume at 9:52.)
[... 5 paragraphs ...]
I of course will also be present, and perhaps vocally as well. (Humorously.) But there are some interchanges that I would like you to become aware of, that can be done in practice. Then I would like to explain them to you. Do you follow me?
[... 12 paragraphs ...]
You connect me with Rembrandt’s period. You also are beginning to become intuitively aware of the strength and continuity that has pervaded your other lives.
[... 35 paragraphs ...]
(A note added 31 years later, while I prepare this Volume 2 of The Personal Sessions for publication. As gifts for me because of my interest in their great creativity, Jane “tuned into”, on her own and without Seth, excellent books on the artist Paul Cézanne in 1977 and on the philosopher William James in 1978. Both works have been published.
(Several years later Jane gave me another gift—a book on the artist Rembrandt van Rijn. This hasn’t been published—but will be in the later volumes of The Personal Sessions. I’ll explain the circumstances of her producing Rembrandt when presenting the first passages of the book.)
