1 result for (book:tps2 AND session:603 AND stemmed:content)

▼ TPS2 Session 603 January 10, 1972 3/88 (3%) Rembrandt varnish compromises pigment Italy
– The Personal Sessions: Book 2 of The Deleted Seth Material
– © 2016 Laurel Davies-Butts
– Session 603 January 10, 1972 9:10 PM Monday

[... 68 paragraphs ...]

Too much oil facilitated the growth of certain molds. Lead white often stopped the growth of the mold, but it was too harsh a color. The lead content stopped the mold.

[... 4 paragraphs ...]

There was a varnish, finally, that you mixed in with some of the pigments after they were prepared, with the dry pigments after they were prepared, that served as a binding agent that also protected each color from the other one. There was a slight lead content mixed into the varnish.

(In those days, tubes for paints did not exist—all color had to be prepared fresh each day by the artist or assistants, from dry pigment. Varnish was often used as an ingredient in mediums. There are and were, many kinds of varnish. A slight lead content in a varnish sounds quite possible.)

[... 12 paragraphs ...]

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