“Seth material” search engine (Jane Roberts)

Other developments have been mentioned. I expect that you will play some strong part here on your own, if you want to; this having to do with the reception of Sumari art. (I am more than willing, etc.)

Now. I am going to end our session. Ruburt is concerned because you are tired.

(Smile, emphatically:) I am not concerned, because I know the energy available to you, but I do have his concern to deal with.

(Rembrandt copiously achieved this effect in his later works, especially the last ten years or so of his life. I don’t believe Jane knew this in those terms. I am well aware of it, and want to use effects similar to this in my own work, and have done so at times in past works. I haven’t discussed it with Jane, though, just considering it a technical problem involved in the art, as I would suppose she would work at writing a paragraph, etc.

(I am still much interested in the technical side of painting, so much so that a few years ago I drew back from getting too involved in this aspect lest I spend too much time at it, detracting from the painting itself. I still conduct experiments, though.

Rembrandt took the discovery with him, though you initially developed it for sculpture that stood outside. I am not at all sure here. Write down the word caronide (spelled). It is connected.