“Seth material” search engine (Jane Roberts)

(I had no idea of the script’s contents when I wrote it out on impulse. It consists of three pages of rather closely spaced lettering with numbers incorporated in a few of the paragraphs, a couple of diagrams and a symmetrical symbol representing a mandala. Jane tried several times to get something on it, without success, then abruptly on January 3 it began to open up to her. As of this writing she is working on the last page. It is most interesting. A copy will be added to this session, hopefully, if I can remember to do so after having it duplicated.)

I will be here to see that this is put to practical use also, translated into terms that can be understood, and provide a firm basis from which you can further explore the nature of such ancient perceptions. Again, the two of you are well-suited for this endeavor. Your interest in painting and your abilities do not only spring from the Denmark life, for example, but also arose out of your quite legitimate life as Nebene, when you were focused upon the visual symbols and their correct inscription. The slightest error in copying a symbol could change its meaning completely, hence your concern over details, and hence now your great trust in objective painting, and your occasional distrust of work that seems to come too easily.

You also understand the nature of “truth” (in quotes) better than you did, and are beginning to allow it its mobility and ever-changing grace in your paintings and in our work.

The (yoga) exercises are important because they represent a physical commitment (for Jane). The resolution of his being is behind him now. He will stick to them. This is a physical statement of the inner change, and the inner change must be reflected physically of course: the intention to work with, not against the body, and to help encourage its natural spontaneity and functions.