“Seth material” search engine (Jane Roberts)

(The session was held in apartment 4, across the hall from our living room. Jane’s pace was good, her eyes open most of the time, her voice quiet.)

(“Okay.” Seth said this because I was tired tonight. We have been having some deleted sessions lately also.)

The data was also given as I told you by speakers before the time of recognized written language. Some of the speakers were Sumari, and so we will often deal with speakers who were Sumari. Therefore the material will have a typical Sumari slant and interest, a characteristic focus upon certain areas.

You were, as Nebene, extremely stern with your students, concerned that they not fall into carelessness. You were focused upon the transmission of knowledge. In the Denmark life the love of the visual was still with you, but you were trying to allow yourself greater freedom with it, to feel the freedom of adding to what you saw, but you felt a great reluctance to do so. It is for that reason that you gave up painting in that life.

(This question was raised recently by Peter Stersky, a student in Jane’s ESP class.)

(11:04. Jane’s trance had been good, her pace good also. I was really bleary. I could tell that Seth had expected me to ask for the break and then continue the session. I wanted to, but decided not to at the last moment.)