“Seth material” search engine (Jane Roberts)

There are several issues and avenues of development in the Sumari experience. It will unfold, therefore. The statement is, comparatively speaking, a simple one, so that we can see what Ruburt can do with it.

(Leaning forward humorously, eyes wide:) I cannot spell it. There are some (in quotes) “defects” of Ruburt’s that are even hard for me to surmount, and in this particular case for a special reason. Just add the note, as I do not want to get off the subject. The word, onomatopoeia (there is a chance the first letter should be A instead of O) comes closest to explaining the inner nature of such sounds.

(9:35.) As a method of freeing you from stereotypes then, this is important. More than this, intuitive information can be given through this method that quite escapes the limitations of logically structured verbal pattern. Some of the Sumari speakers in the beginning transmitted inner information in precisely such a way, and hopefully at some time at least a few such versions may be picked up by Ruburt. So all of this is at the beginning stage.

You have a sense of rhythm, and more conventional musical knowledge than Ruburt, yet rhythmic patterns are very strongly in his makeup, and appeared earlier, silently so to speak in his poetry. The rhythm represented the smooth mobility of the emotions, the ever-moving quality. The sound represented by the symbols then will speak to him. He will hear and know them.

Ruburt’s proficiency with rhythm and words and your proficiency with visual symbols will be put to use therefore. Again, your characteristics are admirably suited. You may be able to translate the verbalized sounds into pictures or into miniature pictures that later turn into symbols. There are various ways, in other words, open in which the information may finally be received.