“Seth material” search engine (Jane Roberts)

(I had no idea of the script’s contents when I wrote it out on impulse. It consists of three pages of rather closely spaced lettering with numbers incorporated in a few of the paragraphs, a couple of diagrams and a symmetrical symbol representing a mandala. Jane tried several times to get something on it, without success, then abruptly on January 3 it began to open up to her. As of this writing she is working on the last page. It is most interesting. A copy will be added to this session, hopefully, if I can remember to do so after having it duplicated.)

In your language there are words that sound like the reality they try to represent. These are called onomatopoeia. Hush is an example, the word hush. It is understood as a quieting agent. When you say it correctly the breath is slowed and leaves your body: hush-sh-sh-sh the sounds finally seem to disappear.

You have a sense of rhythm, and more conventional musical knowledge than Ruburt, yet rhythmic patterns are very strongly in his makeup, and appeared earlier, silently so to speak in his poetry. The rhythm represented the smooth mobility of the emotions, the ever-moving quality. The sound represented by the symbols then will speak to him. He will hear and know them.

The (yoga) exercises are important because they represent a physical commitment (for Jane). The resolution of his being is behind him now. He will stick to them. This is a physical statement of the inner change, and the inner change must be reflected physically of course: the intention to work with, not against the body, and to help encourage its natural spontaneity and functions.

Cordellas represent the inner cohesive yet free-wheeling quality operating within all reality, that gives it both its organizing structure and its great element of spontaneity. Cordellas are therefore connected with the EE units of which I have spoken.