1 result for (book:tps2 AND session:602 AND stemmed:pattern)
[... 12 paragraphs ...]
Sounds obviously existed before language. There is a pattern of sound beneath all languages, a bed of vocal communication that lies behind all language and alphabet. The vocal sounds of the Sumari language and characteristics as they are presently apparent to you will, hopefully, lead toward these clearly understood but logically unstructured sounds that are recognized by the organism and by the inner self, but ignored by the reasoning conscious mind that focuses upon the logical language.
[... 8 paragraphs ...]
(9:35.) As a method of freeing you from stereotypes then, this is important. More than this, intuitive information can be given through this method that quite escapes the limitations of logically structured verbal pattern. Some of the Sumari speakers in the beginning transmitted inner information in precisely such a way, and hopefully at some time at least a few such versions may be picked up by Ruburt. So all of this is at the beginning stage.
[... 6 paragraphs ...]
(9:50.) The memory of the old symbols is within you, but not until you were free enough to make them your own could they return. You did help transmit the information also in highly stylized drawings, and to a much lesser extent through highly stylized voice patterns that were taught to students.
You have a sense of rhythm, and more conventional musical knowledge than Ruburt, yet rhythmic patterns are very strongly in his makeup, and appeared earlier, silently so to speak in his poetry. The rhythm represented the smooth mobility of the emotions, the ever-moving quality. The sound represented by the symbols then will speak to him. He will hear and know them.
[... 13 paragraphs ...]
The same applies however to light, for the atoms and molecules also exist as patterns of light that are unperceived by you. (Pause at 10:37.) Give us time here. At a certain point sound becomes visual, and light becomes sound. They are wedded then, but at other points the correlation is not at all obvious. It is always there. At one level sounds then can be theoretically perceived as light. Vowels and syllables exist as light as validly as they exist as sound.
Vowels and syllables build up their own kind of (in quotes) “light pattern,” or light picture, again, that you do not perceive. Light as you think of it then also exists as sound. There is no such thing as a sound barrier. It simply seems to you that there is.
[... 13 paragraphs ...]