“Seth material” search engine (Jane Roberts)

(Leaning forward humorously, eyes wide:) I cannot spell it. There are some (in quotes) “defects” of Ruburt’s that are even hard for me to surmount, and in this particular case for a special reason. Just add the note, as I do not want to get off the subject. The word, onomatopoeia (there is a chance the first letter should be A instead of O) comes closest to explaining the inner nature of such sounds.

I will be here to see that this is put to practical use also, translated into terms that can be understood, and provide a firm basis from which you can further explore the nature of such ancient perceptions. Again, the two of you are well-suited for this endeavor. Your interest in painting and your abilities do not only spring from the Denmark life, for example, but also arose out of your quite legitimate life as Nebene, when you were focused upon the visual symbols and their correct inscription. The slightest error in copying a symbol could change its meaning completely, hence your concern over details, and hence now your great trust in objective painting, and your occasional distrust of work that seems to come too easily.

You also understand the nature of “truth” (in quotes) better than you did, and are beginning to allow it its mobility and ever-changing grace in your paintings and in our work.

The (yoga) exercises are important because they represent a physical commitment (for Jane). The resolution of his being is behind him now. He will stick to them. This is a physical statement of the inner change, and the inner change must be reflected physically of course: the intention to work with, not against the body, and to help encourage its natural spontaneity and functions.

Impulses therefore will be allowed a more natural expression, as the daily stretching of the muscles adds to his trust of them and of his body.

(10:50.) As absolute manifestations of energy, one of their characteristics is the astonishing rapidity with which they can appear multidimensionally, simultaneously showing themselves in different guises while maintaining the basic integrity from which the guises spring. For later reference now add this: along these lines a number can be more than itself, and be duplicated invisibly as an equation, changing the nature of the equation and of the results, while never showing itself. A number can also parade as another number, over-weighing an equation. Some numbers have (in quotes) “silent partners.” They attract certain other numbers more than others.

Certain numbers by their presence imply the existence of others that are unsuspected. These also alter the nature of an equation, for which often no reason can be found.