1 result for (book:tps2 AND session:600 AND stemmed:sound)

TPS2 Session 600 (Deleted Portion) December 13, 1971 6/55 (11%) cordella Alphabets language shambalina impressionism
– The Personal Sessions: Book 2 of The Deleted Seth Material
– © 2016 Laurel Davies-Butts
– Session 600 (Deleted Portion) December 13, 1971

[... 19 paragraphs ...]

Instead the relationship between objects will be stressed through sound. The emphasis will be on an object’s “placement,” (in quotes) in title and space as you think of it, and on the ever-changing pattern of force that constantly alter relationships of any kind.

[... 1 paragraph ...]

The sounds used in the language have their own importance, and will be in their own way representative or suggestive of feelings that have been largely unconscious, generally speaking. The feelings however are the tail end of inner cognizance, and we will use the sounds to carry us further and further into those inner landscapes where both objects and their representatives must finally desert us.

[... 7 paragraphs ...]

Use of the language, utilizing sound but not recognizable word symbols, will allow you to understand and express some of these. Doing so will enable you to express far more physically also. There are, to say the least, multitudinous levels of feelings that merge to form what you would call a given experience.

Alphabets can hardly hope to give you more than, if you will forgive me (humorously) lip services to these. Each symbol in an alphabet stands for therefore unutterable symbols beneath it. Now the human voice, as singers know, can be used to express far more qualities of feeling than the normal unadorned speaking voice. Sound itself, even without recognizable words, carries meaning. Oddly enough, sometimes the given meaning of a word does battle with the psychic and physical meaning of the sounds that compose it.

(10:11. Pause.) As I have said often, language is used as often to distort as it is to clearly communicate. There is a structure within the Sumari language, but it is not one based upon logic. Some of its effectiveness has to do with the synchronization of its rhythms with bodily rhythm. The sounds themselves activate portions of the brain not usually used in any conscious manner. It is a disciplined language in that spontaneity has a far greater order than any you recognize.

[... 16 paragraphs ...]

The language itself seeks out meanings. It is hidden within all languages, whether or not they sound at all similar, for it is based upon the immaculate integrity of feeling, for which sound is only a dim representation.

[... 5 paragraphs ...]

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