“Seth material” search engine (Jane Roberts)

Now the Sumari language will avoid specific, indelible, rigid pattern in much the same way. (Pause.) By changing the names of objects you automatically look at them in a new fashion, yet certainly all objects will not be given names, for this would defeat our purpose.

Now you almost automatically translate a feeling into a definite rigid word and image. The two go hand in hand. For physical reasons of course you need that camouflage interpretation, but you also need to learn the difference between it and inner cognizance.

Shambalina garapharti (spelled), or the changing faces of the soul, smile and laugh at each other. Now all of that is in one phrase. By saying the words and opening your perception the meaning becomes clear in a way that cannot be stated in verbal terms, using your recognizable but rigid language pattern; so we will be dealing then with concepts as well as feelings, but seeking them through the use of a new method, and sometimes translating them back and forth for practice.

Their discipline and rigidity is considerable. Once you think of a “tree” (in quotes) as a tree, it takes great effort before you can see it freshly ever again, as a living individual entity. Cordellas do not have the same rigidity. Far greater, immensely greater fluidity operates. Inner invisible relationships are allowed to rise, the acknowledged recognized reality viewed through the lenses of these emerging relationships. Then the cordella changes its nature, becomes another new emerging group of relationships, another lens in other words. Do you follow the connections?

It is as if, then, you had alphabets that worked for the other senses, for touch, and smell. Meanings are allowed to rise and fall where, when using your established ideas of language, meanings are instead rigidly attached to given experiences so that perception must be held within certain well-defined limits.