“Seth material” search engine (Jane Roberts)

You may feel free to ask me about your plans, and I will give you what help I can. The emotional basis of your relationship is beginning to take its proper balance and direction. Now: Do you have any questions on the material just given?

Instead the relationship between objects will be stressed through sound. The emphasis will be on an object’s “placement,” (in quotes) in title and space as you think of it, and on the ever-changing pattern of force that constantly alter relationships of any kind.

(9:39.) There will be words for example for feelings that you will be asked to imaginatively change into objects and back again, to project into time as you think of it, and sense the differences in the feeling’s relationship to yourself. This can be compared in quite other terms to taking an object from one table and placing it in another room, and trying it out in various locations; but we will be working instead with feelings instead of vases, and psychological locations.

The word shambalina (spelled by Seth at my request) connotes the changing faces that the inner self adopts through its various experiences. Now this is a word that hints of relationships for which you have no word. (Pause.)

(Long pause at 10:24.) Cordellas are invisible symbols that surface. As they surface they show the universe in a new light by the very nature of their relationships. In a very limited fashion alphabets do the same thing, for once you have accepted certain basic verbal symbols they impose their discipline even upon your thoughts, obviously since you think in words so often.

They throw their particular light upon the reality that you perceive, as for example you name objects. Alphabets are nevertheless tools that shape and direct perception. They are groups of relationships that are then transposed upon (in quotes) “reality.” To this extent they shape your conceptions of the world that you know.

Their discipline and rigidity is considerable. Once you think of a “tree” (in quotes) as a tree, it takes great effort before you can see it freshly ever again, as a living individual entity. Cordellas do not have the same rigidity. Far greater, immensely greater fluidity operates. Inner invisible relationships are allowed to rise, the acknowledged recognized reality viewed through the lenses of these emerging relationships. Then the cordella changes its nature, becomes another new emerging group of relationships, another lens in other words. Do you follow the connections?

(11:11.) As basic creativeness is behind all art forms, so cordellas are behind and within alphabets. Cordellas represent the ever-changing unfinished relationships that can never be fully expressed, and that constantly seek expression.

Through this session and the last I have tried to show you through some examples the different ways in which the word cordella can be used, and by inference the ways in which the use of this method will enrich your understanding and perception. Your closer relationship will have its effects upon our sessions also, for your energies are at peace (louder:)—and now I bid you a fond good evening, cordella and all.