“Seth material” search engine (Jane Roberts)

(Pause at 9:27. This is the end of the deleted material. Now I present the restt of the session in its regular form.)

Consider again, for the sake of analogy, the Sumari language as compared to impressionism. At its best (underlined) impressionism achieved a certain focus unknown to Western art up to that time, in your terms, offering a breakthrough from cohesive objective form into the moving vitality that gives objects, say, their durability and shapes their images.

Using the art form, the artist in a strange way broke through line, destroyed what would seem to be the literal continuity of the objective shape. At the same time a few lines were used to hint at a variety of unseen, apparently unstructured objects, so that in that regard the line became in the hands of a master a strong symbol, hinting at other realities that lay within the seemingly distorted portrayal of objects.

At its poorest, communication between the viewer and the painting was lost, for a poor artist could not work that magic with lines or colors. A thorough knowledge of form was needed so that it could be represented by line or color. At its best, impressionistic art by its very lack of indelible, delineated form, suggested all form and the vitality that gave it force.

Use of the language, utilizing sound but not recognizable word symbols, will allow you to understand and express some of these. Doing so will enable you to express far more physically also. There are, to say the least, multitudinous levels of feelings that merge to form what you would call a given experience.

The living vitality of a cordella rises out of the universe’s need to express and understand itself, to form in ever-changing patterns and take itself by surprise. Patterned language allows for no such surprises. The Sumari language has been used in the dream state.

(11:11.) As basic creativeness is behind all art forms, so cordellas are behind and within alphabets. Cordellas represent the ever-changing unfinished relationships that can never be fully expressed, and that constantly seek expression.