“Seth material” search engine (Jane Roberts)

They would be well worth the while, however. This is the kind of thing I have been speaking of—the avoidance of a direct confrontation with those (in quotes) “negative emotions” blocks out the one emotional (in quotes) “solution”: an emotional statement on your part that counters it—a meeting of emotions.

The expressed (underlined) emotional anger, accusation or hurt on Ruburt’s part would automatically, or should, bring out in you an answering emotional statement. Answering in that any hurts or reasons on your part would be expressed with feeling, and the way cleared for an emotional statement of love, regret, or on both of your parts an emotional expression of sorrow for having hurt the other.

I want to get around your basic fears that emotional freedom is automatically the feeling of negative emotions, though you may initially begin there. Arguments between you for example would have been far healthier. Then you could have kissed and made up, and meant it.

(I told her in turn, and believe she agreed, that all phases of our lives were changing, that it was vital that they do so, since the way of life we had worked out was doing so poorly. This included my painting, my job at Artistic, my attitudes about money, classes—in short everything I could think of, I guess. I’m not so sure Jane would lump all of her activities together in the same way, though – she may not feel the need. I strongly suspected my days at Artistic were numbered; especially so since we now planned a long trip early next year, after taking care of checking the copyreading Prentice-Hall is now doing on Seth Speaks; we are due to get the script back in January.

There are, then, cordellas beneath the sensations of hearing, smelling, touching, seeing. If I told you that the skin had its own alphabet without what I have already explained, it would not have been nearly as clear. The word cordella, used in the same fashion, frees you from limiting conceptions of what an alphabet is.

If new ambrya—think of embryo now—(in parentheses now:) data were to be inserted into a painting, a completed painting, from the inside, then all the relationships within the painting would change. If new ambrya is inserted into a physical montella then all the relationships within it must change. (Pause.)

The new data emerging within your physical reality would have to appear in a way that was congruous with its surroundings, and adopt then some acceptable representation. To follow it back to its source however you would have to keep sight of it as it gradually was divested of these recognizable patterns. The language gives you a thread, then, to follow it backward. You may take a break or end the session as you prefer.