“Seth material” search engine (Jane Roberts)

Now on his part it was precisely that conflict that got him into difficulty, and that brought about the ideas of “work.” He became angry, and still is, when you show normal criticism of Prentice and their dealings with our books, or his, because he feels that you do not really understand how difficult it is to market creative work, and since you do not sell your paintings you should not criticize his admittedly worrisome efforts. The fact that some of your criticisms are justified makes him worry the more, that he is not doing as good a job as he should.

So he was keeping the terms of the old contract. In the meantime you had learned so much, and so had he, but he still interpreted what he learned in the line of those old beliefs. He now realizes he has what he wanted—a creative framework in which to exist, with some financial independence. But he is now faced with body beliefs that have been built up as a result of the previous conflicts, and those are what you have to combat.

He must trust the physician within. Concentration should not be on “work,” but on aspects, poetry, his ideas. He is learning indeed the use of a different kind of inspirational time, which conflicts with his old ideas of so many hours.