“Seth material” search engine (Jane Roberts)

A good deal of what I will say explains the morning episodes. Since I am dealing with this particular area I will not include other issues. For the book he was exploring creativity and other ideas of work and play. Long ago you first used the word “work” in reference to your painting, and to Ruburt’s writing. In the material given and given, the reasons are there as to why he latched onto some of your ideas—so I will not go into those here.

From now on he should forget the word “work” in reference to his own writing. Have him think of it simply as writing. Now this morning at the table he suddenly realized why he did not want to get up this morning, and why at other times he did not want to get up: he did not want to go to work, like a child who does to want to go to school. The connotations of the word crept into all areas of his life, tinged by unfortunate beliefs connected with the word.

All of his ideas of responsibility became attached to the word “work.” In the past as given, he wanted to prove to you that he was working at home while you worked outside. Later when money became involved, then for a while fun writing had to come after working hours.

Ruburt’s normal “work periods” would often involve nonconventional hours, however, precisely because they were nonconventional. Each morning he felt it his duty to get up at a decent hour to go to work. At the same time artistic work had other connotations. Everything else was unimportant by contrast, so that other pursuits became taboo. If you went out in the day people knew you were not working. You early used the word “chores” for activities in which Ruburt took a childish delight. With his literal-mindedness, and for reasons given in the past, he also began to think of them as chores. Otherwise he would want to do them and not work.