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TPS2 Deleted Session September 10, 1973 9/63 (14%) hours work nonconventional creativity inspiration
– The Personal Sessions: Book 2 of The Deleted Seth Material
– © 2016 Laurel Davies-Butts
– Deleted Session September 10, 1973 9:35 PM Monday

[... 2 paragraphs ...]

Now: Good evening.

[... 3 paragraphs ...]

Now I told you that when issues are brought out into the open, there are certain conscious stresses and strains that earlier were not apparent, but hidden. The morning issue is finally rising into the significance that was buried before, and not dealt with. Your presence and help have been highly supportive, and also as I planned, your presence has made Ruburt more aware of his morning behavior and thoughts and sometimes he has tried to verbalize them.

[... 6 paragraphs ...]

From now on he should forget the word “work” in reference to his own writing. Have him think of it simply as writing. Now this morning at the table he suddenly realized why he did not want to get up this morning, and why at other times he did not want to get up: he did not want to go to work, like a child who does to want to go to school. The connotations of the word crept into all areas of his life, tinged by unfortunate beliefs connected with the word.

[... 8 paragraphs ...]

Now with his financial success that pressure is somewhat removed, enabling those beliefs to come to light. He believed, for many reasons hinted at or given, that spontaneity did not mix with work. That work involved responsibility, discipline, material rewards, and also that it necessitated behavior that did not come naturally to him.

[... 6 paragraphs ...]

Now I suggested the definite hours, knowing his position, knowing that he would begin to see that while any activity of course takes a certain amount of time, that his creative work will be judged not according to the hours spent on it but the yield.

[... 4 paragraphs ...]

Now: When Ruburt’s high level of creativity happened to be strong enough to easily include five or six hours a day he improved, since his inspiration took as many hours as he thought his work should.

[... 6 paragraphs ...]

Now that is enough for this evening, but highly important. You can have more at our next session. You can have more material on Jerusalem or Christ now, or when you want it. You can have the Christ book when you want it. But the same applies for any other material you want from me.

[... 12 paragraphs ...]

Now: your own ideas of work also to some degree impede your progress. The faces that you alone can paint can leap into your mind no matter what you are doing, and they are not dependent upon good lighting, though your final rendition of them might be.

[... 5 paragraphs ...]

I will give you more. And now I bid you a good evening, and hope you find what I have said helpful.

[... 1 paragraph ...]

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