1 result for (book:tps2 AND heading:"delet session novemb 26 1972" AND stemmed:work)

TPS2 Deleted Session November 26, 1972 9/106 (8%) Richard Eleanor Dick Andrews imperfections
– The Personal Sessions: Book 2 of The Deleted Seth Material
– © 2016 Laurel Davies-Butts
– Deleted Session November 26, 1972 8:10 PM Sunday

[... 20 paragraphs ...]

Intuitively the personality knew its abilities also, so there was the creative urge to develop and grow. The two blended. His desire to forge ahead philosophically beyond any school or church also was involved, and his artistic endeavors—which bloom in my books, now, as well as in his own work.

[... 10 paragraphs ...]

Both events are important—the death of his father and the mailing of the book. He felt that you were strongly dissatisfied with the circumstances surrounding the book: you told him it was marred because of his missed sessions; the fact that it was accepted instead of another book (Dreams, etc.). And the Nebene characteristics that came out strongly as you worked with the details toward the book’s end.

[... 15 paragraphs ...]

It is already being considered. It can (underlined) work.

[... 1 paragraph ...]

It can work or it can be disastrous, then. You make your reality. There is no reason it cannot work, and well, with the proper attitudes. On your part, the relative greater importance of such a project to you over that of the writer (for Gallery) means that your attitudes will predominate. Do you follow me?

[... 17 paragraphs ...]

You can get around this however, using methods given earlier, and reassurance. He will be afraid for a while that you will turn away from him again. It has never been what you said, so much as your unexpressed communications that bothered him. What is said you can face, work out, and encounter.

[... 11 paragraphs ...]

You use the excuse of work, both of you, to isolate yourselves from other people while you did crossword puzzles, and little work. You isolated yourselves and did not put to advantage much—though some—of what I told you. You saw that when you did not rely on your work, you enjoyed few creature comforts. Do you follow me?

[... 1 paragraph ...]

You were not painting. Ruburt was not writing. You were faced with your relationship as it exists apart from your work together. Now do you follow me?

[... 1 paragraph ...]

The easy, spontaneous, daily, trivial, give-and-take was not there. Both of you knew it. You took approximately the same amount of time to do your puzzles as you usually spent working, to fill in the gap. Does that answer your question?

[... 1 paragraph ...]

Now though it may not seem so to you, the entire episode has been a creative endeavor, in which together you saw to it that various desired characteristics be brought out in each other. You particularly in the beginning, served as a strong impetus to Ruburt, freeing him for serious work.

[... 19 paragraphs ...]

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