“Seth material” search engine (Jane Roberts)

Before he did not believe he could handle that consciously, so it is important. Not that you go camping or not go camping, but that you realize the freedoms that you have; use them, encourage any physical ideas of that nature that he has, and do not make him feel inadequate to try.

He feels inadequate enough in that regard. Give us a moment. You, who do not have the physical difficulty, should now make an effort to initiate such things on your own. Ruburt realizes that he must no longer structure his life through his symptoms. You must realize that also, for there your ideas of limitation simply prolong them.

You do not understand the alterations in beliefs involved that even led him for example to think of that mobility, and how cleverly the idea of work and mobility were combined, or the attempt at correlation involved. The same applies to the karate body image, its significance escaping both of you largely, where Ruburt was seeing himself with a body image combining power, agility, and weight.

In trying to show him his realistic condition in the face of such ideas you end up by making him believe also that they are unrealistic, stupid, and that he should not need challenges but only the simple joy of walking across the floor.

The karate image for him is a good one, far more evocative, intuitive, and powerful than his idea say of doing exercises, for it combines, for him, intuitive understanding with physical strength and agility.

Number one also shows your own attitudes, for he is not continuing to lose weight. It stabilized. The karate image will now help him gain, and helps him correlate his ideas of creativity with a different kind of image than he has had before.

This, you see, is connected with the trailer idea, and I am telling you because you still do not understand the importance of belief and imagination combined. He has gone ahead despite, in this case, your negative interpretation, and seen himself under certain conditions traveling in a trailer, writing, granted, but in front of strangers in a bathing suit or shorts, and he does not want to look like a bony witch. So already in his mind he is gaining weight, seeing himself fairly agile—but he felt this was in spite of your attitudes, not with your enthusiasm or understanding.

He felt that in your world and interpretation his ideas were Pollyanna, but I tell you that is practical creativity—and it can wipe out many negative beliefs, more in a moment than you can realize.

Give us time. His idea of work on one level is connected with the working day. His problem, the artificial dilemma that exists in the daylight hours as to how to spend the time, and the fear that ordinary distractions will take him from his work. The dilemma does not exist at night or very early in the morning.

Now some of this is connected with ideas of sex in earlier years, adolescence. If a male writer or artist had to work to develop his abilities, then a woman had to work twice as hard. You also picked of course a woman you knew would not want children, but Ruburt felt a division between his biological nature and his art back then.