“Seth material” search engine (Jane Roberts)

The commercial art served your emotions quite simply. It allowed you to release your emotions in stereotyped impersonal ways. Some situations, drawn, might be of highly charged areas—the Spillane strips, for example—yet the release of the emotion was stereotyped. You knew that one of Ruburt’s purposes would be to insist upon the expression of your emotions to him personally. Because of other life aspects you knew this.

You both knew the tension that would also result, for you would to some strong degree resist. He needed direction however, and he knew that you would help give it to him. You would help him mold and direct his own strong emotional nature. You would have gone to the most considerable lengths to help direct his energy. He would have gone, and has gone, to considerable lengths to allow you to freely begin to express your emotional reality to him.

You have always wanted, in this life, to express yourself emotionally in that fashion. You taught him how to direct his emotions in his work. Because of the tensions and the challenges, however, and for other reasons having to do with this existence, Ruburt became worried that you would not relate to him in the emotional way that his nature demanded. You asked me how you could relate to him emotionally. Do you remember, in a recent session?