“Seth material” search engine (Jane Roberts)

In dealing with these records he was suspicious of creativity, for he feared it could lead to original alterations where instead a literal interpretation was important. He was also however a creative man so there were personality conflicts, and he literally forced the creativity to take a weak secondary position.

The dilemma was, here now, between truth—a literal translation of ancient records—or a creative approach which could lead to falsification, so he was highly suspicious of the creativity in himself. Through discipline he thought that he had this suspicious creativity well in hand. He feared that his students would not have the same kind of integrity. He was therefore very severe in dealing with originality on the part of his students, considering it, again, a threat. He was indeed a taskmaster.

Now when you met Ruburt, and I will give you connecting points here, you recognized the strong creative abilities, and appreciated them, encouraged them. But within you also through association the remnants of Nebene roused themselves into action. The abilities were to be used. You knew that.

The Nebene within you however was quite certain that they must also be disciplined, kept within bounds and watched carefully. The same applied to your own creative abilities, where for some time a divergence from a literal pictorial illustration was felt to be wrong, or off. Some other personal information that I gave you concerning your relationship with your father this time also fits in here.

In this life you equated your own creativity with danger, now, to some degree. In the first place your father’s creativity, his inventions, brought him no recognition, no money in your mother’s terms. The creativity in your mother simply erupted in emotional tantrums, also dangerous and unproductive. You nicely channeled your creativity into comics, where it was socially acceptable and would also bring recognition in the terms of your society—cash.

With you, Nebene checked the details of the book. This put Ruburt under additional pressure, and he began to rebel more. You made some remark that the book was marred because of the great gaps in sessions, Ruburt’s attitude, and so forth. Ruburt therefore felt that you were accusing him again of a poor performance, and for other reasons also felt that in your eyes these faults took precedence over the book’s obvious merit. Because of the strain, and because he felt his spontaneity so hampered, he came up with (Oversoul)Seven, defiantly, where Nebene could not follow; pure creativity, he felt, with no factual details that he could be called upon.

The lives are simultaneous. In quite other terms Nebene wonders why he is bothered or hampered in his life situation, so devoted to detail and literal interpretation, by his strong leanings—temptations to him—toward creativity and spontaneity.

In whatever situation you find yourself, in whatever “life,” (in quotes) there will be different focuses of abilities, conflicts of ability that are all challenges. You, as you are, have helped Nebene understand the importance of creativity, and so has Ruburt. And while there have been severe conflicts, understandings on all levels have occurred, and development.

Understanding then, you can use the abilities as you want. Before, they seemed to have an energy of their own, almost at times not a part of you, and Nebene experienced his own creativity as equally apart from him at times.