“Seth material” search engine (Jane Roberts)

In all of this you also acquiesced. It was known that only by presenting the material in writing, and eventually in books, that his personality would accept it. He would also be driven to critically analyze the phenomena (hyphen)—and in books, because he is a writer—before he felt free enough to simply create (period).

He is not to feel at the demand of letters, people, calls or otherwise. He is to feel free of those demands. They are not a part of his work. My book is geared specifically to people. When he realizes he need not be at their demand he can be freely grateful for his mail, and not resentful.

For now class should be continued. Your social life should and must not be allowed to deteriorate. You both need that contact, but free you see of the demands he has felt from, say, correspondence. Nor need he feel at the beck and call of anyone who wants to come here for a session or otherwise.

All of these suggestions will release both of you in important ways. He was never meant to give his entire conscious concentration to (in quotes) “psychic” work. The freedom of his own creative work will enhance those abilities, but also free him for some further expansions of consciousness that are meant to follow. The same applies to you, and in these endeavors you must work together.

Holding back from your own expansion of consciousness impedes energy through the body. When your own relationship was rocky, Ruburt therefore was twice as frightened as you were. These suggestions, if completely followed consistently (underlined) and wholeheartedly, will completely free the body. They could not have been given in this way earlier, for reasons that should now be apparent. You had to be within the framework of an excellent relationship with each other.

Ruburt had to understand his own creative necessities as a person, and accept the mobility of his own consciousness and those changes that it would involve. You also have to be free enough, and will be, to stand on your own position, and you must be free enough to cast aside the shackles that invisibly surround the field of painting, and even your own interpretation of it.