“Seth material” search engine (Jane Roberts)

(At supper time this evening I explained a few problems of a technical nature, connected with my painting, to Jane. I believe I have solved some of them, or at least am embarked on the right course after a very long period of trial and error. They involve mostly portrait work, and such mundane things as the handling of paint, both opaquely and thinly, and the symbolic meaning behind these things. I told Jane I wasn’t asking that Seth go into these this evening; I preferred that he talk about Jane or the Sumari work. I made the extra effort to explain these concerns to Jane because I feel it’s part of the resurgence I seem to be experiencing since we made the decision that I leave Artistic at the end of this month.)

Read again the material I have already given you, the suggestions on your paintings. You can use purple or violet with too heavy a hand, and the brown becomes lost then. Rise up the importance of yellows or colors signifying light. Let them shine through. Do not smother them with opaqueness.