“Seth material” search engine (Jane Roberts)

(This is excellent material, as I told Jane. I explained to her after the session that I wasn’t sure about the reference to purple or violet, which I seldom use directly because they are hard to integrate into a painting—at least for me. By the next day, I may know why Seth made the reference. The reds I use, being cadmiums, can take on a decided violet cast when mixed with white. This must be kept under control. The painting I am working on now features a cadmium red shirt on the subject, and has given me some trouble because of its tendency to turn purplish if not watched; since Jane has seen me at work on this portrait often, she may have picked this up, although I haven’t mentioned it to her. I did explain to her before the session my dislike of too brown a cast to features—this was one of the points we discussed, as mentioned earlier.

You don’t consciously know. You need the connection yet, you see, the bridge of the language across which the meaning of the language can come. Do you follow me?

—yet the question itself limits the answer I can give you. It does not have to be an either-or proposition, for example. There is no contradiction between the two alternatives you gave me. The covenant exists quite vitally within the depths of your being.

(“That didn’t bother me any.”)