“Seth material” search engine (Jane Roberts)

The world from that initial creative center had to expand. It could not do so by imposing its culture, however admirable in many respects, upon others. The culture had to change, the foundations of art had to change, the old images had to be in your terms (underlined) demolished, for they had begun to freeze the birth of new insights and creative feeling.

The psychic developments are also interbound in your own work, because you doubted yourself the preparation time was extended by you. The final period was and is to be one in which your energies are directed to your work without the outside job, for finally you began to feel that you were not doing what you should do; this itself inhibited your trust in yourself further, and therefore the development of your work.

Read again the material I have already given you, the suggestions on your paintings. You can use purple or violet with too heavy a hand, and the brown becomes lost then. Rise up the importance of yellows or colors signifying light. Let them shine through. Do not smother them with opaqueness.

(“How could I write this covenant in Sumari when I didn’t know what I was writing? I’ve wondered about this before. It’s so easy, yet I couldn’t do it in English.”)

You don’t consciously know. You need the connection yet, you see, the bridge of the language across which the meaning of the language can come. Do you follow me?