“Seth material” search engine (Jane Roberts)

They were not worked through, however, and he stopped the practice. Unknowingly you were working on the two levels given in my last session, through suggestion, building self-confidence while Ruburt wrote out his gripes and conscious thoughts. Until he produced Seven, however, he would not really consider facing the dilemma. Seven was the novel that showed him he could (underlined) write fiction.

Tam received the basic message, though in the morning. He made several distortions, substituting you (RFB) and the book I suggested (Through My Eyes) rather than Ruburt and Adventures. He did this to give himself time on a conscious level to deal with the situation. Some time ago, after Seven, he mentioned my book, my new book, to Ruburt, and Ruburt said he did not want to contract trance material ahead of time, so Tam let it rest.

Both of them knew on other levels that Ruburt needed a backlog of chapters, and the book well in progress, so Tam simply went along, as Ruburt did, until the time came when Ruburt realized he had full confidence, the book was good, and that Adventures had other purposes.

I do indeed. The apartment situation was another symbol for moving—the physical one of impasse. It had to be faced on that level physically in your cases, before the other problem of mobility could come completely to light.

Now. You did not feel free to do your own thing until Ruburt felt free to do his, because you felt he was helping out so financially. This is at one level.

You were highly impatient, then. At the same time you knew that once you did commercial work for money as a young man, quite happily. It fulfilled definite needs. At any level of your artistic development thus far, you could have cashed in with some application, and been, you felt, betrayed by money and acclaim as a certain level of development.