“Seth material” search engine (Jane Roberts)

(At a quick scan I thought the ideas answered all the questions we’d had about the symptoms over the years—explaining, for instance, their onset before the psychic developments, etc. They seemed to offer a unified theory to cover the years of our marriage, and even Jane’s childhood. I saw at once that if valid they also meant Jane must shelve her projected book, Adventures in Consciousness, and concentrate on things like Rich Bed, the Dialogues (poetry), and, perhaps, let Seth do his own thing in sessions. If this included writing books, okay. But crisis time was here, and something had to be done. I was somewhat puzzled that I hadn’t asked my pendulum this specific set of questions before—or had I? If I had, perhaps I hadn’t understood the answers, I thought; because certainly no action had been taken because of them, along the lines now contemplated....

Now—

(Yes, I recall clearly urging Jane to publish the material; most regrettable now, of course. A serious error, for at that time she instinctively knew what was best for her. I want her to go back to relying upon her instincts and intuitions.)

The dream book incidentally (which Eleanor Friede now has) in different form—far different—will be published. So will Adventures—and when he is in a better position to evaluate his Adventures. He did not want Dreams published. Adventures initially was a way of leading him back into “I” writing, and toward Aspects and Rich Bed.

Now. Last summer, or rather the one before the flood (in June 1972) improvements were obvious (in 1971). The reasons you should know. The pressure of the dream book was gone. He was not doing something he did not want to do. The move (across the hall into our second apartment) meant mobility. Your relationship began to improve to an important degree.

He was between books, just having money from Seth Speaks. There were several things you had still not learned, however, that you have now learned. The relationship would be very good, then, but some old characteristic responses of ours would occur now and then, and frighten him. He began to move toward a new contract, which meant Adventures, he felt, rather than Rich Bed.

Now, the stairs represent going up and down on a treadmill, and getting nowhere. He seemed unable to move in any direction. This had to do with your apartment, which actually suited him fine for some time. But other dissatisfactions not faced were projected there also, and exaggerated, while there seemed to be nothing he could do about it.

Now give us a moment. A long one. (Pause at 9:50.)

His own work was not focused upon as it should have been, to his way of seeing things. Now he must go ahead and take his chances. He speaks of success. What he means is the production of a work of his own in those terms that he considers art, an accomplishment whether or not it brings financial success.

Dialogues could not be written by anyone without Ruburt’s experience. Adventures would have been an error if pursued further now. Later, with greater understanding and with a backlog of other work that contents him, it will be an excellent book.

He well knew at times that Adventures was in part a ruse to content him, and assure him of a contract while I began my book, but he is afraid of taking the plunge on his own now. He was also afraid that you would be angry.

Bill Macdonnel, coming at this time of year, did remind him of the first sessions and the ESP book and the tooth incident, caused physically by the sinuses, was a message that the time was crucial, a crisis. He had to say no, now, and move ahead in his own area.

The mobility should begin here, now, while you begin looking about. Simply so you experience mobility immediately on two important levels: the work area through the phone call and decision, and your immediate present environment. Give us a moment.

Our books will continue. He felt trapped and saw no way out. Even now he is afraid of turning down the money of letting that much work go, but he finally sees that that is his answer.

Now I have an important suggestion, to which I hope you will acquiesce, and it is important: You must really form a letter, a nice one, thanking people for their interest, explaining that for now private sessions are not given for individuals. These should be sent out to unanswered correspondence. Ruburt should devote himself to what he wants to write in his time. I will produce my books. There will be others (period).

For now let classes continue. Make the changes I suggested. Have Ruburt send Dialogues to those places he has in mind.

There are unknown dimensions then to his own work that will begin to materialize, and that would be buried had he continued to produce simply what he thought he should produce. And now do you have questions?

(“Is there anything now that you’d like to say that he won’t let you say?”

(“I just mean, is he open now to what you may or can say?”)