1 result for (book:tps2 AND heading:"delet session januari 1 1973" AND stemmed:him)
[... 12 paragraphs ...]
The ESP book was meant to be a book—one book. In the beginning he did not want to publish the material, if you recall. Not because he did not like the material, but because then, at least, he understood that for him (underlined) assembling it during his creative hours was not fulfilling his kind of creative need.
[... 1 paragraph ...]
The creativity was in the sessions. Because he felt a responsibility to the work, and because of another publication—a hardcover book—he consented to The Seth Material. The “acclaim” (in quotes) of a tour helped revive him initially, and he began ideas of a novel.
It had a psychic basis. Tam wanted another psychic book. Ruburt objected enough to refuse to do a series like the Cayce books, but tried to compromise with the Dream/Seth book, which also involved him with the typing of records. You needed the money, he felt.
[... 1 paragraph ...]
There were also financial considerations. He had only lately freed himself from a part-time job. To refuse a psychic book that was definite, to try for another novel with no assurances, seemed foolhardy. At the same time his age bothered him. The young writer, aspiring, was no longer so young.
At the same time he began to doubt his writing abilities. Perhaps he had overjudged his talents. Following The Seth Material, requests came that showed quite clearly he was regarded as a psychic. Psychics helped people. I told him to stay away from spiritualistic groups. He has a strong sense of responsibility and loyalty. He avoided being a “psychic personality” (in quotes) in grand terms. I am digressing here to bring you another issue: the strong responsibility he always felt toward his writing ability, he naturally felt toward the psychic ability—but without the necessary sense of discrimination, since he didn’t realize what such activities involved.
[... 5 paragraphs ...]
The dream book incidentally (which Eleanor Friede now has) in different form—far different—will be published. So will Adventures—and when he is in a better position to evaluate his Adventures. He did not want Dreams published. Adventures initially was a way of leading him back into “I” writing, and toward Aspects and Rich Bed.
It (Adventures) also served to regenerate his creative abilities, which had lagged in Dreams. Seven saved him from another Dreams (book) and also provided him with a contract.
My books will provide a different kind of accelerated creativity that can be achieved in no other way, and that will leave him freedom to pursue another kind of creativity that can come only from him, and not from me. This could not have developed in the beginning, however.
[... 6 paragraphs ...]
He was between books, just having money from Seth Speaks. There were several things you had still not learned, however, that you have now learned. The relationship would be very good, then, but some old characteristic responses of ours would occur now and then, and frighten him. He began to move toward a new contract, which meant Adventures, he felt, rather than Rich Bed.
[... 3 paragraphs ...]
Now, the stairs represent going up and down on a treadmill, and getting nowhere. He seemed unable to move in any direction. This had to do with your apartment, which actually suited him fine for some time. But other dissatisfactions not faced were projected there also, and exaggerated, while there seemed to be nothing he could do about it.
[... 2 paragraphs ...]
Good theorists are not necessarily good practitioners, and good practitioners are not necessarily good theorists. Yet good theory is practical. Ruburt has provided himself with a small laboratory. Tell him to think of his class that way.
Seeing that group of people week after week, he is able to work with them, follow their progress and put theory into practice. That is sufficient. No one can be adequately (underlined) helped in one or two sessions, and it is not his responsibility, or mine, to answer personally the millions of people who need help, or even the relatively few who write him.
[... 3 paragraphs ...]
As you suspect, there is no conflict between the psychic and creative with him, but he did fear from the beginning that his own work would be swallowed. This has not proven true, for many reasons, some having to do with development.
[... 3 paragraphs ...]
Dialogues could not be written by anyone without Ruburt’s experience. Adventures would have been an error if pursued further now. Later, with greater understanding and with a backlog of other work that contents him, it will be an excellent book.
[... 2 paragraphs ...]
He well knew at times that Adventures was in part a ruse to content him, and assure him of a contract while I began my book, but he is afraid of taking the plunge on his own now. He was also afraid that you would be angry.
Bill Macdonnel, coming at this time of year, did remind him of the first sessions and the ESP book and the tooth incident, caused physically by the sinuses, was a message that the time was crucial, a crisis. He had to say no, now, and move ahead in his own area.
(A few notes for the record: Bill Macdonnel returned to Elmira over the holidays to visit his parents. He’s visited us a couple of times. A week or so ago Jane had a dream in which she saw Bill with his mouth full of blood. Calling Bill a couple of days later to invite him to a New Year’s eve party, Jane was told by Bill that he’d been to the dentist and had several teeth pulled the day of the call.
(Subsequently, Jane several times was seized with a strong ache in her lower right jaw. Her pendulum told her she was picking up on Bill. We haven’t heard from him since the call. Monday, January 1, 1973, we decided to go for a ride, since it was a beautiful day. Unknown to me Jane’s jaw began to bother her as she left the house.
[... 13 paragraphs ...]
Each individual has within him guidelines meant to lead him in the ways best for him. You cannot compare yourselves with others. Ruburt’s own feelings therefore are those guidelines. They may be different at various times, but they can be trusted. Ruburt’s creative ability is his for a reason. It was meant to be used, as well as his psychic abilities were.
[... 9 paragraphs ...]
There are other elements not particularly mentioned in the background, but they are not crucial points. He felt he had lost his direction. Spontaneously feeling free to write what he wants to will also release him psychically.
[... 3 paragraphs ...]
I do indeed. But both of you had to acquiesce, you see, or for him it would not have worked.
[... 5 paragraphs ...]
(10:35. It is Wednesday, January 3 as I finish this session. Jane has already cleared the matter with Tam—who incidentally had a vivid dream Monday night, in which in distorted form he learned that Adventures was to go by the board. Many elements in Tam’s dream tallied with events depicted in this session, bearing out Seth’s contention that Tam already sensed the conflicts over Adventures, etc. We are to send him what’s done on Seth’s new book.
[... 2 paragraphs ...]