“Seth material” search engine (Jane Roberts)

For some time Ruburt felt he was a failure, as a wife and as a writer. He did not see you succeeding, either. Conditions mentioned far earlier made communication difficult, and he brooded. The mobility, the point of mobility, represented moving ahead in his work, or not moving ahead. The apartment became a symbol. It was quite all right for the aspiring writer. If however he could not achieve the kind of success he wanted, then he might as well have the trappings.

Initially there was great enthusiasm with both, but Rich Bed was his baby and Adventures a method of learning and an initial way of releasing pent-up creative energy. It had a purpose, and has. It meant however more creative time spent in examining (underlined) the psychic experience. At the same time he hoped Tam would take Rich Bed, knowing he wouldn’t. Unconsciously Tam sensed that dilemma, as he senses this one. Seven was the answer. In the meantime your being home also meant that he was face to face with you. You could see his condition, and as given earlier he tried to hide from you at times most of all.

Ruburt’s condition deteriorated after the meeting with Eleanor. The situation brought into focus, you see, the entire problem. Seagull’s middle-aged lady focused it further. (Bach’s description of Jane for Time.) The middle-aged lady was mentioned as middle-aged, and as a psychic, poet and science fiction writer—a turning of the ways in that the psychic books were mentioned, but no books of poetry, which gave impetus to Dialogues.