“Seth material” search engine (Jane Roberts)

Now. There are two strong aspects in your personality. One having to do with the reason why you entered the service; a desire for order; a desire for excitement, but excitement within an ordered sequence. There is also, in this same respect, an organizational aspect to your personality that is not now being used to advantage, and therefore can have negative consequences. You like to organize things and people. It is in this regard that you found the presence of your husband distracting when the two of you moved. Do you follow me?

You are denying yourself a certain joy in your own present femininity, and for several reasons. With some purpose, you see to it that you are not as attractive physically as you know you are. You play down your attributes, rather than dress them up. You have been worried about and afraid of the feminine aspects of your personality. Now some of this has to do with the situation that did exist between you and your husband, and to some extent with the situation as it now exists. There is a free and easy flow of communication that is wordless, that you block.

You overeat, to compensate for the other joys that you do not allow yourself. If you began to paint for an hour a day, you would not need to eat so much. When you bring food and drink with you, you do two things. You bring along your own “security blanket”, for one thing. You also show that you are insecure and frightened outside of the home environment, and must bring nourishment from there along with you. Now the joy that you experience when you are painting will be yours, and not desert you whether you stay in your house or go to someone else’s. You will not have to worry about “carting it along” with you. As you probably suspect, the overeating is the one great indulgence that you allow yourself, and even then you surround it with all kinds of taboos. It is not the fact that you overeat, and that you are desperately frightened because you overeat—because of your sister’s history. You do not overeat simply any food, but you surround eating itself with taboos, so that it must be “pure food,” “good food,” to your way of thinking. And there are foods that you will eat and foods that you will not eat, and you project moral implications upon the foods. Some foods are “good,” to your way of thinking, and some foods are “bad.” To you this does not necessarily or alone mean they are good for the body or bad for the body, but in themselves you give them moral characteristics as you would people. So that beneath the whole attitude is the idea: “This is an evil food,” and be shunned as you would shun an evil person, within that framework of thought.

Take your paints outside sometime. Think! How precious voices are! In your terms, they speak, and the sounds are gone and never recaptured. And who are you to say: “I will not listen, for this is trivial.” These sounds are magic. Be thankful for them. You will never again be the personality that you are at this moment. Whatever self you will be, in your terms, or you were, each of those selves are unique, as you are unique. When you hear him (Rob) speak, his words are the magical signatures of the psyche, materialized in certain ways within this moment as you understand a time, and precious and a joy to hear. And so are the words of every man and woman, and the sound of every bird and every raindrop—precious beyond recall. So do not close yourselves to those sounds, and be thankful for them.