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TPS2 Deleted Session (For Mary Smith) May 3, 1972 16/165 (10%) Mary hear sound husband listen
– The Personal Sessions: Book 2 of The Deleted Seth Material
– © 2016 Laurel Davies-Butts
– Deleted Session (For Mary Smith) May 3, 1972

[... 5 paragraphs ...]

Then listen well. I will start out with a compliment. That is to set you at ease. You are warm-hearted. You try to help other people. You mean well, and you have many abilities. You also have all the energy that you need, when you learn how to release it. Now, give us a moment, and listen. (Pause.)

I will not answer your questions in the way that you asked them. First of all, let us deal with some causes.

You expected too much when you moved here. You expected many things —a complete renewal, a reversal of certain circumstances in your life—a new relationship with your husband. You overidealized the situation ahead of time. You thought there was going to be a second honeymoon. You also thought that you would enjoy having your husband around all of the time. Because of previous conflicts, that can be resolved, you did not enjoy having him around all of the time as you supposed that you did. There were also conflicts of direction, as to who would “rule the roost”, and you resented his “taking over”, or what it seemed to you to be. You were used to managing the home alone. You thought that you would welcome his cooperation and aid, and because, now, of other conflicts with him, in the east, in this life, instead, you resented his help. You wanted to rule as you had in the past. You wanted the home to yourself.

[... 5 paragraphs ...]

You need, first of all, to develop some of your abilities in a purposeful manner. You are not using them. You are playing with them, but not using them as you want to. The organizational part of yourself wants you to organize yourself, and so far you have not done this.

[... 2 paragraphs ...]

In periods of depression you feel that your life, the main points, have passed, and that you have lost time—important time that you feel you cannot recover. All of these fears work together to cause the present difficulty. Now. There is no one who can change your life for you. But you can change it. And in that lies your hope and your salvation. And so you must begin to do so. You are now organizing your life about your hearing defect. In the main, you are forcing others again to relate to you in that regard. You mention it often. You bring it into the conversation. When I tell you now, “often,” it would not otherwise be noticed, for you also exaggerate the extent of the hearing loss. I did not say there was not a loss. I am saying you are exaggerating the loss that there is.

[... 9 paragraphs ...]

(During break—I think this break—I told Jane and Rob of when I was very young—ten or eleven. My bedroom window was only about 15 feet away from my parents’ apt. house. The scandal at the time was the noisy and violent arguments of an Italian couple, Anna and Jimmy. If Anna didn`t boil Jimmy’s eggs just right, he’d curse her out, and she’d retaliate by throwing some of Mom’s dishes at him, both of them screaming. All thru my life I’ve thought “nice, civilized people” didn’t raise their voices, get angry enough so that it showed, or display any kind of outbursts. Jim, I believe, feels the same way [or did]. The very few times early in our marriage when I would lose my temper, he would absolutely infuriate me by saying softly, with a smirk, “Temper, temper!” and so I would clam up.)

[... 57 paragraphs ...]

Now, this is you interpretation, at a deep level, of such a remark. This confirms your feeling that you dare not display strong emotions with him, and you feel all the more rejected. When you light the candle, you are testing him to see how far he will go with you, and when he makes the fire remark, you take it as a rejection of the entire romantic self, and the romantic situation. At the same time, this denial wounds you, because you also suffer from it.

[... 4 paragraphs ...]

You overeat, to compensate for the other joys that you do not allow yourself. If you began to paint for an hour a day, you would not need to eat so much. When you bring food and drink with you, you do two things. You bring along your own “security blanket”, for one thing. You also show that you are insecure and frightened outside of the home environment, and must bring nourishment from there along with you. Now the joy that you experience when you are painting will be yours, and not desert you whether you stay in your house or go to someone else’s. You will not have to worry about “carting it along” with you. As you probably suspect, the overeating is the one great indulgence that you allow yourself, and even then you surround it with all kinds of taboos. It is not the fact that you overeat, and that you are desperately frightened because you overeat—because of your sister’s history. You do not overeat simply any food, but you surround eating itself with taboos, so that it must be “pure food,” “good food,” to your way of thinking. And there are foods that you will eat and foods that you will not eat, and you project moral implications upon the foods. Some foods are “good,” to your way of thinking, and some foods are “bad.” To you this does not necessarily or alone mean they are good for the body or bad for the body, but in themselves you give them moral characteristics as you would people. So that beneath the whole attitude is the idea: “This is an evil food,” and be shunned as you would shun an evil person, within that framework of thought.

[... 6 paragraphs ...]

You are imagining a situation in which there is no sound to be heard; whether or not you have ears, there is no sound. Then, imagine that, suddenly, a raindrop falls and makes a first sound... the first sound that can ever be heard. And imagine the impact and the beauty of that sound. Then slowly imagine other sounds appearing in the world, appearing in the same way that a flower might appear, so that sounds begin to be born in the universe. Imagine, then, the joy of hearing that sound in a world that had known none. Whatever sounds, then, that imaginatively come to you, feel the brilliance and miracle of them as they are born out of the silence. And then give thanks for a world of sound, and let yourself revel that you live in this world where sound is a part of your environment and surroundings. In all of this, do not think about your ears, but do the imaginative exercise exactly as I have suggested it. That alone, done once a day, will help arouse again within you the joy and wonder of that particular sense.

[... 1 paragraph ...]

Now you used the energy that your classmate (Eleanor) was sending you for other overall purposes. While you did not want to hear, her energy could not force you to hear. Indeed, you would automatically put up a defense, because you considered not hearing to be important to your survival. The exercise that I just suggested to you will, if followed, now, help you open up sufficiently so that energy sent to you can be utilized for that specific difficulty. But while you refused to hear, you would consider energy sent to you particularly to make you hear also a threat to your survival, and would be determined to block it. You must realize that your survival depends upon enjoying all of your senses fully. Reading the session alone should help you realize that.

[... 13 paragraphs ...]

All the suggestions that I gave you, however, follow including “dressing in the morning”.

[... 2 paragraphs ...]

([Mary, laughing:] “All right. I’ll do that.”)

[... 6 paragraphs ...]

If you do not trust your emotions, then you can no longer trust your joy. And if you try to hide your fear, then, you automatically hide your joy. Once you begin to inhibit emotions, the practice spreads like a plague, until all emotion must be inhibited, lest the one thing that you fear show its face.

[... 8 paragraphs ...]

([Mary:] “All right.”)

[... 2 paragraphs ...]

Now I bid you a fond good evening. And you see, it was not so bad after all!

[... 26 paragraphs ...]

([Mary:] “All right.”

[... 2 paragraphs ...]

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