“Seth material” search engine (Jane Roberts)

When this continues you project negatively on all alternatives so that change always seems disruptive and negative. The possibilities of its creativity are often forgotten. You have both done well communicating your feelings lately. Ruburt’s idea of actively searching out his usually repressed feelings is excellent.

He also often voices some of your own fears. Together this helps both of you. These feelings may be charged because they have been so repressed. He is learning, just lately now, how to release them, and the body is beginning to let go. But do not let these repressed feelings blind you to the beneficial qualities of your situation right now, or its creative possibilities.

The effort made in any creative change would be nothing compared to the constant feeling of unease that could result simply from a fear of change. In a fear of change there is only tumult, and no peace. As you know, it does no good to worry about the time you may sometimes feel was “wasted” (in quotes) in the past. Great damage can result however by projecting such feelings of time waste into the future.

Your set of problems are of the most creative kind. They are problems from which great potentials can emerge. Your full energy for work and your creative drive is released, and will be, as you creatively use and understand your problems, but not concentrate upon them, not let them close your eyes to the joys and freedoms that you have. You get what you concentrate upon. There is no other main rule.

You have a relationship not only unique, the two of you, but one that also serves as a springboard for creativity. You have talents and abilities that carry with them satisfactions that you both often blithely take for granted. They are so a part of your existence that often you are not even aware of them, yet their absence would show you the relative darkness in which the majority of people live.

Other portions followed, beginning to release those feelings generally under their sway. The sexual implications last evening, generally under several various areas of personality, could not have come into consciousness, for example, without the consent of the conscientious self, which says often “No work, no sex.” And often says “No sex anyway. It must go into ‘good’ creative work.”