“Seth material” search engine (Jane Roberts)

(At 8:45 PM I used the pendulum to clear up an ache in a tooth. I learned the trouble was based on my fear that Jane wouldn’t accept, or believe in, the statement. My action led Jane to tell me about her teeth and sinus bothering her before and during our trip down here, for about three weeks. I told her I was floored to learn that she’d let something like that go for so long before trying to learn anything about it’s causes, etc. This of course was a tie-in with the repressions on her part that I’d written about in the statement today.

He always needed approval, desperately. I was often forced to structure my work along lines that would bring approval. (Pause.) He feared the psychic developments, though they were one of my most creative endeavors, because he was afraid they would bring scorn instead.

Sometimes his intellect has worked with me, sometimes not. I am far more resilient, pliable, flexible and daring then other elements of his personality, which are fear-ridden. Some of his attitudes have to do with his parents, in that he fears he could become like his father—undisciplined and slack, loose and amoral.

These seemingly small episodes were nevertheless important. Because in the beginning you emphasized discipline, he felt you did not think him capable of exerting it on his own; that while you were attracted to his spontaneity you feared it and his energy. He felt that you believed that, given a free hand, his habits would be too exuberant. He would have, or would keep, odd hours, no schedule, be messy.

After that he feared deeply that all adverse comment of his, or negative remarks, would make you worse. Your illness frightened him more than anything else since his life with his mother, because he could not allow you of all people to be ill because of him, as explained.

From that point on he kept any negative thoughts or criticisms to himself, and during that time he feared that you almost disliked him completely. The habits of repression took great root. Rather than hurt you he would put himself into harness. Once begun, these feelings attracted to them others from the past, so that I was appalled and finally had great difficulty.

He felt these feelings extremely disloyal. He felt your mother was silently accusing him of putting you in a poor light whenever he succeeded. He wanted you to state your position, and say “I am an artist” to her and to the world, but he deeply feared that you considered that attitude irresponsible, frivolous, not practical; and worse, that you felt it negated the sacrifice you made by keeping the job for so long. (Not so, etc.)

You did not communicate yourself too well. Because of his abilities he picked up your feelings all too clearly, but because of his fears he picked up your negative feelings. He was afraid you were not an artist after all. He knew you were not a Sunday painter, but he felt you were greatly repressed in your work, and that any breakthrough could only come when you focused upon it, your work, regardless of other consequences.

He therefore did not discuss any issues with you concerning his own discouragements or fears as they happened. He felt guilty enough because you were working. He did not want to lay extra burdens on you, but he came to resent everything that was provided by a job.

The passages allow him to give me freedom, and also release the physical mechanism to some notable degree. If he does not repress any fears following the release, then improvements will continue. He did not realize this, so the information above will be of great help.

Part of that was because Ruburt was sensitive to your own negative feelings or fears, and picked these up. Basically he trusted both you and your work, as I have. The physical condition was also meant as a signal, saying “Look what is happening.” The body trying to speak out, where he would not.

The very fact that all of this now comes into the open is most advantageous; though it has been mentioned before, the peculiar tie-ups have not been described this well or this adequately. Please read this carefully. You need not fear that you must watch every word, and so forth, as long as communication both ways is maintained. Your own habit of repression in the past helped reinforce Ruburt’s, so greater communication helps you both.

(I got the insight at noon that the conscientious self, or “it”, was so tyrannical because it is being constantly fed charged material, fears, that are steadily repressed. These come from her childhood, her religious upbringing, her own strong moralistic and literal nature, plus probably reincarnational data about which we know very little. Plus overidealizations about me and my work, etc.

(I told Jane I think that if it is not fed a steady diet of repressed material—which it may not even want—the conscientious or creative self is perfectly capable of doing its job without excesses. There will be no fears of unrestrained sexuality, or not working creatively, of overidealization of me, or my work, etc. All of these ideas, I feel, evidently grow out of repressed, unexpressed fears that have built up over the years, and have been taken over, or dumped upon, the conscientious and/or creative self.

(I told Jane today that when a fear is expressed, it takes its natural place in the scheme of things and no longer grows unseen. Jane at first said during our talk that she must hate many things—but it seems that hate would only be a mask for fear— hence the suggestion that instead of asking herself what she hates, a more basic question is “What do I fear?”