“Seth material” search engine (Jane Roberts)

He always needed approval, desperately. I was often forced to structure my work along lines that would bring approval. (Pause.) He feared the psychic developments, though they were one of my most creative endeavors, because he was afraid they would bring scorn instead.

You did not communicate yourself too well. Because of his abilities he picked up your feelings all too clearly, but because of his fears he picked up your negative feelings. He was afraid you were not an artist after all. He knew you were not a Sunday painter, but he felt you were greatly repressed in your work, and that any breakthrough could only come when you focused upon it, your work, regardless of other consequences.

There may well be emotional charges expressed. Do not be afraid of them. They will clear the air.

(February 24, 1972. Thoughts—after the 3 sessions here in Marathon, of February 16, 19, and 21, it finally dawns on me—I finally put the material in the sessions together—and realize that a more basic quality behind Jane’s symptoms is repression. The task then is to learn what causes this. A good question would be: “What am I so afraid of?” This is much simplified, of course.

(Then she wrote: Feeling I’ve been so afraid of my personal thoughts and feelings—thought they were so bad that I don’t know myself. Invite self now to be aware of them—all of them normally, be astonished at their power, beauty and variety. They aren’t all negative. And even those have a power that is good when released. Can be a new kind of creative joy—a discovery that will really release me creatively, psychologically and physically. Been afraid to know myself; distrusted so never allowed self to see how good I am.)