1 result for (book:tps2 AND heading:"delet session decemb 4 1972" AND stemmed:inner AND stemmed:sens)

TPS2 Deleted Session December 4, 1972 7/52 (13%) Josef paintings fake channel underlined
– The Personal Sessions: Book 2 of The Deleted Seth Material
– © 2016 Laurel Davies-Butts
– Deleted Session December 4, 1972 9:30 PM Monday

[... 5 paragraphs ...]

You are not given 800 or 5,000 milligrams of talent. You are given your own nature, certain portions of it naturally tuning in to what in your case you could call the channel of art. You sense its great dimensions, the richness of its complexity. You are particularly attuned to it.

[... 1 paragraph ...]

You naturally express your nature through your use of the channel of art. Your ability to draw upon that channel is endless. The certain-amount-of-ability idea is highly limiting. It forces upon you a sense of responsibility to use what you have, while instead it should mean simply being what you are, and being what you are (underlined) will automatically produce excellent paintings.

[... 7 paragraphs ...]

You wanted to express now the fuller inspirations that come later, and with an exquisite sense of form that Josef never learned. The sense of form incidentally will, mark my words, emerge in a new way for you, but even the information given that so upset you had its purpose in your whole plan.

[... 5 paragraphs ...]

Van Gogh, for your information, was (underlined) obsessed personally with ideas of self-mutilation, and underwent great inner torture. He chose those feelings however so that he could view the world and reality in a certain light. That light enabled him to do what he wanted to but could not fake: paint the world through that particular unique vision.

[... 1 paragraph ...]

Personally then he took upon himself what you would say perhaps were great problems—too great for the personality to handle, but his inner tendencies for self-mutilation always kept his vision true to his main image of the world.

[... 3 paragraphs ...]

The repression however was to remind you of freer patterns that would and could flow. A landscape is not lacking because it is not a portrait. They are two different kinds of things, but you would sense the different kind of thing. Now. The repressed emotion itself is apparent in your past paintings. It is something that you cannot try to put into them. You cannot fake it, and so you did not fake it.

[... 5 paragraphs ...]

Now you cannot regard your ability as something apart from yourself, which you must use. It is instead your own characteristic method of expressing reality, of perceiving inner data; the particular channel of your own understanding, learning and application, to which there are no limits.

[... 17 paragraphs ...]

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