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TPS2 Deleted Session December 4, 1972 7/52 (13%) Josef paintings fake channel underlined
– The Personal Sessions: Book 2 of The Deleted Seth Material
– © 2016 Laurel Davies-Butts
– Deleted Session December 4, 1972 9:30 PM Monday

[... 14 paragraphs ...]

You wanted to express ideas in paintings that do not come in youth, and to merge a particular kind of understanding with a particular kind of form. You had an existence in which your art matured early, as Josef in Ruburt’s Seven. You dealt with emotion unrestrained by discipline, and with the feelings of a young man. Josef was not able to paint anything worthwhile past the age of 40, and he turned to a land-owner’s province.

[... 2 paragraphs ...]

You knew when you would be ready and your emotions, repressed until then, would then emerge as new to illuminate the forms and to fill them out.

[... 6 paragraphs ...]

Your own great problem, the inhibition of emotion, fits in with your own designs as well as his did. He was not ever satisfied with his work and had far less satisfaction in general from his fellow beings than you have.

[... 1 paragraph ...]

Van Gogh was true to his vision, which means he was true to the self he created for himself in that time, and so must you be. But you must also have faith in what you have done, for it was all done in faithful rendering of your view of reality (in quotes) “at any given time.” And therefore the fact for example that you withheld certain kinds of emotion from it is not a failure.

The repression however was to remind you of freer patterns that would and could flow. A landscape is not lacking because it is not a portrait. They are two different kinds of things, but you would sense the different kind of thing. Now. The repressed emotion itself is apparent in your past paintings. It is something that you cannot try to put into them. You cannot fake it, and so you did not fake it.

[... 1 paragraph ...]

You also wanted your work to show and express those mysterious moments when the rivers begin to flow (underlined), the heart learns to speak. The rain begins to form. You wanted to express in painting then the freeing of emotions—that could not be expressed unless first there had been repression, and those energies in full blossom that have nothing to do with age.

[... 9 paragraphs ...]

Your form is ready. The ideas I have given you will bring that form to free life, however, if you use them. Your emotional life has already been enriched of late with the interactions with Ruburt. You are both doing well in following what I told you. Continue to do so.

[... 11 paragraphs ...]

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