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TPS2 Deleted Session December 4, 1972 8/52 (15%) Josef paintings fake channel underlined
– The Personal Sessions: Book 2 of The Deleted Seth Material
– © 2016 Laurel Davies-Butts
– Deleted Session December 4, 1972 9:30 PM Monday

[... 4 paragraphs ...]

Talent does not come in quantities. Instead people have varying abilities to use any of an infinite number of channels, any one of which in your terms leads to an inexhaustible source. The channels by their nature will translate and shape creative energy with their unique dimensions.

[... 1 paragraph ...]

You have only to be open and receptive. When you think in terms of having (in quotes) “a certain amount of ability,” then you become concerned that you use every portion of it, when in greater terms no such “it” exists.

You naturally express your nature through your use of the channel of art. Your ability to draw upon that channel is endless. The certain-amount-of-ability idea is highly limiting. It forces upon you a sense of responsibility to use what you have, while instead it should mean simply being what you are, and being what you are (underlined) will automatically produce excellent paintings.

[... 1 paragraph ...]

Your knowledge of form now can work for you automatically, serving to give structure to those ideas which will come to you freely and clearly. Your own (in quotes) “psychic abilities” now give you easy (underlined) access to inspiration. You must forget the idea as you have it, that your painting must serve to work out problems. In that framework you set problems.

[... 3 paragraphs ...]

In doodles, in oils, in whatever suits you, and whatever suits you over a period of time, will find its own pattern. Do not harness yourself with the idea that you had (underlined) “so much” (in quotes) ability, and that you have not used it. That is not the case. You have instead an open channel. You chose to spend a good amount of time dealing with form.

[... 19 paragraphs ...]

Now you cannot regard your ability as something apart from yourself, which you must use. It is instead your own characteristic method of expressing reality, of perceiving inner data; the particular channel of your own understanding, learning and application, to which there are no limits.

Your ability is an expression of what you are. Considering it apart from yourself sets up a division that is unnecessary, and can be detrimental in that (underlined) regard.

You place too great a burden upon yourself when you consider your ability something that must (underlined) be used. It flows through you naturally. Many spontaneous ideas for paintings and sketches you automatically reject because of several reasons. They do not fit in with your ideas of work (underlined), or with your idea of what you think you ought (underlined) to do, or because you are being too ponderous, and hence shove away many spontaneously playful ideas.

[... 15 paragraphs ...]

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