“Seth material” search engine (Jane Roberts)

The two apartments helped, but in a way there is less privacy because of the public hall, you see. You have used your dwelling place as a symbol then, which is why it becomes important. Otherwise it would not be an issue. Ruburt has strongly held down any tendencies through the years to spend any money, small as it might be, in decorating, buying furniture, simply because of your joint attitudes, the feeling of transition.

He went like a squirrel, trying to satisfy his love of environment, changing this place about in a fury of frustration, and finally gave it up. Briefly, the new environment next door aroused him, but the apartment, while representing expansion, as I told you then, also carried a built-in boomerang—the public hall, the lack of coordination, a divided place. Of course it had advantages, or you would not, either of you, have considered it.

You have private rooms now in a public area that becomes more public all the time, as tenants, strangers, move in and out. For a while the whole house had feelings of privacy when the same tenants, for example Lucy, were here for some time. With a change in tenants the halls for example become anonymous, all of these feelings strongly operate, and on both of your parts. Ruburt reacts physically, he waits physically. You do not feel safe to work.