“Seth material” search engine (Jane Roberts)

(Today we returned from a weekend visit with my brother Dick in Rochester, New York. My mother, who now lives with Dick and his wife and family, made the trip back with Jane and me as far as the parking lot at Enfield Glen, Ithaca, where we met my other brother, Loren. Mother was transferred to Loren’s car during an interlude in a driving rainstorm. She is to spend a couple of weeks with Loren and his wife Betts before returning to Rochester.

Now, good evening.

Now the affair with Venice’s friend involved the false prophet idea again. It seemed to Ruburt, with his understanding, that if his information was coming from a paranormal source, and that source was good, then it must also prove itself to be infallible, or he was a false prophet. He also felt accused by you, believing that if he was using his abilities really fully, as you wanted him to, then there would have been a way provided so the woman would not die.

Now you may take your break.

Now, I have been following your discussion, and to some good degree you are correct. Ruburt has allowed himself to become hypnotized by certain images and ideas, that he considered true.

Now. The session contains more than is apparent, and there are developments that can arise from it as a direct result of concentration being directed elsewhere, a release of energy seeking new outlets in other words.

Now. Thoughts have their own energy. Your thoughts and everyone else’s. Your own greater awareness now, with Ruburt, to him represents the first real break in your armor. It will also serve to release feelings of joy that you have inhibited. These feelings are released not only in paintings that you are working on, say, now, but on paintings that were completed earlier. Your emotional reality permeates everything with which you come in contact—across the board, regardless of the time element.

The feelings or emotions automatically reach out, therefore, altering all objects within your reality, but from the particular focus point of its emergence. In Ruburt’s case the body, where the lack of joy showed, and in your case in the paintings, where the greater expressiveness will now add—and has—its own vitality.

In the back of their minds they are suspicious that had you continued you would have beaten them, and now they can never know differently. They cannot understand, either of them, how you could leave your job, their own sense of worth is so bound in possessions. They are deeply insecure, but good men. For you to leave your job and have a new car is doubly mysterious. They respect you, for that matter, in a quite mysterious way to them, that they do not understand.