“Seth material” search engine (Jane Roberts)

The connection between the two was securely made. The meeting with your Seagull friend however also helped cement this realization on his part. The acceptance from another writer, simply on that level alone, was important: But the meeting with someone who also shared psychic and writing ability was vital.

He used the sword—another reason, incidentally, why he does not want to hurt anyone now—and the magic of words, and was involved in wars against Christendom. He knew Pete (Stersky, a member of Jane’s ESP class) who was then a dancer, a woman.

You were not that out of keeping with your times, then. The whole world, more or less, was experimenting with the use of brutal force as an accepted method of enforcing ideas. Anything else was the exception. There are other connections with this life, in which Ruburt chose a woman for his mother who was helpless. Not only could he not attack her, but he was in a position where he must serve her.

Now the woman who was his mother this time had a connection with another leader—I am trying not to get distortions in here; you may have to check some of this later—I believe Charlemagne, and Ruburt slew him in battle, after he was first crippled. The two were bitter adversaries. Ruburt put himself in a position therefore where violence could not be used.

He took the temptation away. I have a small point here, in that Hitler represented as a bleedthrough from a probable reality—extremely interesting. He was a personality who literally should have been born back in those eras, and was not. In one respect he was like a time projection, appearing out of place, a psychological warp brought into displacement by a phenomena that psychologically could be likened to a natural phenomena like a volcano.